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A Study on "Others" constituting the Anglo-Saxon Culture from the viewpoint of Cultural Representations

文化表征视角下构成盎格鲁撒克逊文化的“他者”研究

基本信息

批准号：
15520153
负责人：
TAKADA Yasunari
金额：
$ 2.18万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2004
项目状态：
已结题

项目摘要

Following the last-year's research that was conducted centering around the Middle Ages, analysis has been made this year on the modern period, especially in relation to the United States in the 20^<th> century. In the Renaissance period examination is made in the instance of Shakespeare's Troilus and Cresida, where "the other" is seen to be constituted mainly by the elements of the Latin culture of the Middle Ages that came under our analysis last year. Attention was drawn to how these elements undergo changes and transformations under the impacts of the new age. It is observable though the analysis that the comparatively static world-picture based on the correspondence of macrocosm and microcosm that had been manitained during the Middle Ages was relegated through the action of one dramatic character to a form of "the other." In fine, one of the central traditions of the Western Latin Culture ceased to function as a fundamental cultural backbone and became just one component that came … More to comprise the new dynamic world view.In the context of the modern age, research is conducted on the way in which the discourse of "modernity", which is essentially constructed in the intellectual tradition of the European Continent, is received in the Anglo-Saxon culture. To make the examination concrete and manageable, we picked up two German emigres who were obliged to move their habitations to England and America : Leo Strauss and Karl Loewith. By focusing on these thinkers who presented contrastive theories of "modernity", we specified the differences that exist between Loewith's "Secularization Theory" and Strauss' "Classicist Anti-Relativism", and in so doing, made some foundational and preliminary observations on their respective influence on and reception in English and American cultural discourses. We can say at this juncture that the former prepared for what can be called "discoursivism" (that admits othing outside discourse in its broadest sense of the word) while the latter for "anti-relativism" (that poses a radically critical attitude toward relativism of any persuasion). On the whole, it can be said that discursive elements that go to constitute the Anglo-Saxon culture are found to be more permeated than is ordinarily assumed with those of the Continental origins. Less

继去年以中世纪为中心进行的研究之后，今年又对现代进行了分析，特别是与20世纪的美国有关<th>的分析。在文艺复兴时期，我们以莎士比亚的《特洛伊罗斯》和《克雷西达》为例进行了考察，在那里，“他者”被认为主要是由我们去年分析过的中世纪拉丁文化的因素构成的。与会者提请注意这些因素在新时代的影响下如何发生变化和转变。通过分析可以看出，在中世纪，建立在宏观世界和微观世界相对应基础上的相对静态的世界图景，通过一个戏剧人物的行动而被降级为“另一个”的形式。“总之，西方拉丁文化的中心传统之一不再是一个基本的文化支柱，而只是一个组成部分， ...更多信息在现代语境中，考察了“现代性”话语在盎格鲁-撒克逊文化中的接受方式，这种话语的基本建构是在欧洲大陆的知识传统中进行的。为了使研究更具体、更易于掌握，我们采访了两名被迫将住所迁往英国和美国的德国移民：列奥·施特劳斯和卡尔·洛维斯。本文以这些提出“现代性”对比理论的思想家为研究对象，具体分析了洛维兹的“世俗化理论”和施特劳斯的“古典主义反相对主义”之间的差异，并对它们各自在英美文化话语中的影响和接受作了一些基础性的初步观察。我们可以说，在这一点上，前者准备什么可以被称为“话语主义”（即承认任何话语以外的最广泛的意义），而后者为“反相对主义”（这是一个激进的批判态度相对主义的任何说服）。总的来说，可以说，构成盎格鲁-撒克逊文化的话语因素比通常认为的欧洲大陆起源的话语因素渗透得更深。少

项目成果

期刊论文数量（11）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

Shakespeare as Shake-Scene

莎士比亚作为《Shake-Scene》

DOI：
发表时间：
2004
期刊：
Studies in World Literature and Translation 1-2号
影响因子：
0
作者：
柳沢昌紀;Sawada Mutsuyo;OOHASHI Tadayoshi;岡秀夫;Ando Hiromichi;Yoshiaki Sato;小川剛生;Tanabe Ikuo;Eijiro Tsuboi;西尾哲夫;岡雅彦;佐藤良明;柳沢昌紀;杉田英明;Matsuura Yuichiro;高田康成
通讯作者：
高田康成

高田康成: "古代ギリシアの顕現"ムーサよ語れ、古代ギリシア文学への招待. 317-355 (2003)

高田康成：“古希腊的表现”穆萨，演讲：古希腊文学的邀请 317-355 (2003)。