A Study on "Others" constituting the Anglo-Saxon Culture from the viewpoint of Cultural Representations

继去年以中世纪为中心进行的研究之后，今年又对现代进行了分析，特别是与20世纪的美国有关<th>的分析。在文艺复兴时期，我们以莎士比亚的《特洛伊罗斯》和《克雷西达》为例进行了考察，在那里，“他者”被认为主要是由我们去年分析过的中世纪拉丁文化的因素构成的。与会者提请注意这些因素在新时代的影响下如何发生变化和转变。通过分析可以看出，在中世纪，建立在宏观世界和微观世界相对应基础上的相对静态的世界图景，通过一个戏剧人物的行动而被降级为“另一个”的形式。“总之，西方拉丁文化的中心传统之一不再是一个基本的文化支柱，而只是一个组成部分， ...更多信息 在现代语境中，考察了“现代性”话语在盎格鲁-撒克逊文化中的接受方式，这种话语的基本建构是在欧洲大陆的知识传统中进行的。为了使研究更具体、更易于掌握，我们采访了两个被迫将住所迁往英国和美国的德国移民：列奥·施特劳斯和卡尔·洛维斯。我们通过关注这些提出“现代性”对比理论的思想家，具体说明了洛维兹的“世俗化理论”和施特劳斯的“古典主义反相对主义”之间存在的差异，并在此基础上对它们各自的影响进行了一些基础性和初步的观察。在英美文化话语中的接受。我们可以说，在这一点上，前者准备什么可以被称为“话语主义”（即承认任何话语以外的最广泛的意义），而后者为“反相对主义”（这是一个激进的批判态度相对主义的任何说服）。总的来说，可以说，构成盎格鲁-撒克逊文化的话语因素比通常认为的欧洲大陆起源的话语因素渗透得更深。少

Following the last-year's research that was conducted centering around the Middle Ages, analysis has been made this year on the modern period, especially in relation to the United States in the 20^<th> century. In the Renaissance period examination is made in the instance of Shakespeare's Troilus and Cresida, where "the other" is seen to be constituted mainly by the elements of the Latin culture of the Middle Ages that came under our analysis last year. Attention was drawn to how these elements undergo changes and transformations under the impacts of the new age. It is observable though the analysis that the comparatively static world-picture based on the correspondence of macrocosm and microcosm that had been manitained during the Middle Ages was relegated through the action of one dramatic character to a form of "the other." In fine, one of the central traditions of the Western Latin Culture ceased to function as a fundamental cultural backbone and became just one component that came … More to comprise the new dynamic world view.In the context of the modern age, research is conducted on the way in which the discourse of "modernity", which is essentially constructed in the intellectual tradition of the European Continent, is received in the Anglo-Saxon culture. To make the examination concrete and manageable, we picked up two German emigres who were obliged to move their habitations to England and America : Leo Strauss and Karl Loewith. By focusing on these thinkers who presented contrastive theories of "modernity", we specified the differences that exist between Loewith's "Secularization Theory" and Strauss' "Classicist Anti-Relativism", and in so doing, made some foundational and preliminary observations on their respective influence on and reception in English and American cultural discourses. We can say at this juncture that the former prepared for what can be called "discoursivism" (that admits othing outside discourse in its broadest sense of the word) while the latter for "anti-relativism" (that poses a radically critical attitude toward relativism of any persuasion). On the whole, it can be said that discursive elements that go to constitute the Anglo-Saxon culture are found to be more permeated than is ordinarily assumed with those of the Continental origins. Less