A BASIC STUDY ON THE CHARACTERISTICS AND Transition PROCESS OF TEMPLES OF THE HOKURIKU DISTRICT IN THE EDO PERIOD

这项研究分为两个阶段。一个是关于建仁寺派的木匠们，他们在前田氏的北陆地区建造了许多著名的建筑，另一个是在金泽城下町的寺町建造的，规模相当小。建仁寺派有两个流派，前者是坂上家，其中之一成为前田家的大工头，后者是搬到江户并作为德川家之一的小罗家。关键是是否有建仁寺流的风格，除此之外，与近代正常的设计方式相比，两位木匠之间存在区分的可能性。在对两位建筑师进行比较研究之前，必须明确建仁寺流的特征是什么。最突出的建筑，我们所说的建仁寺流如下：妙妙寺（主要是五层楼） pagpda、正殿、Soshidoh 和 Sanjyuh-b … More anshindoh）、Nikkoh Tohshohguh（主要是五层 pagpda 和 Rinnohji Dayuhin Reibyoh）和 Zuiryuhji（佛殿）。对于妙妙寺的佛塔，需要与中山法华寺、池上本门寺、宽永寺等佛塔进行比较。为了准确比较建仁寺派的建筑，最好对同系列的建筑进行分析，例如佛塔和大雄宝殿。而且，还需要与同时期的建筑进行比较，以便在领域中明确区分。禅宗风格的建筑。在这项研究中，建仁寺派塔采用了与中世纪三层塔相同的方法措施规划。除了纯禅宗风格建造的瑞龙寺（佛殿）外，将禅宗风格应用于妙妙寺的主殿，采用密教计划和和王风格的布局和构图是相当困难的。采用禅宗风格（妻组）的最重要的部分是采用乡绅计划的内阵（禅宗的主殿）。妙妙寺)，二是利用长梁(妙寺寺)对阁津内部结构的影响。三是与檐架、椽子的关系。在江户时代，虽然是分叉制，但除了北陆地区以外，其他地方都使用六重挂。江户时代末期的北陆地区，与妙妙寺的本堂一样，延师挂（两边的椽子都放置在两侧椽的中央）也很流行。这两个特征和测量的决定方法在建仁寺派尤其是北陆地区非常明显。较少的

There are two phases of this study. One is about the carpenters of Kenninji-school who erected many famous architecture in the Hokuriku district under the Maeda's clan and the other is rather small in scale erected at Teramachi in the Kanazawa castle town.There are two flows in the Kenninji school, the former is the Sakagamis one of whom became Daikugashira, head architect of the Maeda clan, and the latter is the Kohras who moved to Edo and worked for the Tokugawas as one of the Daikugashira.And the point is whether there is a style of kenninji-ryu or not, in comparison with normal way of designing in the early modern times in addition to that, there is a possibility of distinction between the two carpenters.Before making a comparative study between two architects it must be clear what is the characteristics of Kenninji-ryuh.The most prominent architecture, what we call Kenninji-ryu are as follows :Myohjyohji temple(the main ones are five story pagpda, main hall, Soshidoh and Sanjyuh-b … More anshindoh), Nikkoh Tohshohguh(the mains are five story pagpda and Rinnohji Dayuhin Reibyoh) and Zuiryuhji( Butsuden). In relation to the pagoda of Myohjyohji, it is required to compare it with the pagodas of Nakayama-Hokekyohji, Ikegami-Honmonji, Kan-eiji and so forth.In case of accurate comparing the architecture belonging to Ken-ninji school it is desirable to analyze the same series of architecture, for example, pagodas and main hall.And moreover it is necessary to compare them with those of the same period in order to make clear distinction in the field of Zen style architecture.In this study, Ken-ninji school pagodas have the same method measure planning which was adopted from the three story pagoda in the middle age.Apart from Zuiryuhji(Butsuden) built in purely Zen style, it is rather hard to adapt Zen style to the main hall of Myohjyohji with Mikkyoh plan and composition with that of Wayoh style.The most important parts adopted Zen style(tsumegumi) is to Naijin with squire plan(the main hall of Myohjyohji), and the other is to the inner structure of Gejin(domical space) by using long beam(Myohjyohji-soshidou).The third one is the relation with eave bracket and rafter. In the Edo era though bracheting system, rokushigake was used all over the place except Hokuriku area. Like the main hall of Myohjyohji, yonshigake (side both rafter are placed at the center of both masu) was prevalent in Hokuriku area at the end of the Edo era.The two characteristics and the decision method of measurement are conspicuous in Ken-ninji school especially in Hokuriku district. Less