A BASIC STUDY ON THE CHARACTERISTICS AND Transition PROCESS OF TEMPLES OF THE HOKURIKU DISTRICT IN THE EDO PERIOD

这项研究分为两个阶段。一种是前田氏家族在北仓区建造了许多著名的建筑，另一种是在金泽古堡的寺町建造了规模较小的建筑。健林学派有两种流派，前者是Sakagamis，其中一种是成为前田宗族首席建筑师的Daikugashira，后者是搬到江户为德意志工作的Kohras，作为Daikugashiraa之一。问题是，与近代早期正常的设计方式相比，是否有Kennini-Ryu风格在对两位建筑师进行比较研究之前，必须先弄清楚贤宁寺的特点是什么。最突出的建筑，我们称之为贤治龙，是这样的：明治寺(主要是五层楼高的大殿，主殿，Soshidoh和Sanjyeh-b…更多的Anshindoh)，Nikkoh Tohshhguh(主要是五层Pagpda和RInnohji Dauhin Reibyoh)和Zuiryuhji(Butsuden)。关于明治寺的宝塔，需要与中山-Hokekyohji、池田-本文治、菅义治等宝塔进行比较。为了准确地比较属于禅宗学派的建筑，需要对同一系列的建筑进行分析，例如宝塔和正殿。此外，为了在禅宗风格建筑领域区分开来，有必要将它们与同时期的建筑进行比较。在本研究中，观音学派宝塔的规划方法与中世纪三层宝塔的方法相同。除了纯禅宗风格的禅宗建筑外，很难将禅宗风格应用到弥治寺的大殿中，采用Mikkyoh平面图和与Wayoh风格的构图。最重要的采用禅宗风格(TSumegumi)的部分是采用乡绅计划(Myohjyohji大殿)的乃锦，另一个部分是采用长梁(Myojyohji-soshidou)的格津(住宅空间)。第三个部分是与屋檐和横梁的关系。在江户时代，通过刷子系统，除了北国地区以外的所有地方都使用了罗志香。同明治寺大殿一样，江户时代末期的北陆地区也盛行着延世祭(两边的横梁都位于马苏的中心)，这两个特点和测量的决策方法在剑仁学派尤其是北陆地区表现得尤为明显。较少

There are two phases of this study. One is about the carpenters of Kenninji-school who erected many famous architecture in the Hokuriku district under the Maeda's clan and the other is rather small in scale erected at Teramachi in the Kanazawa castle town.There are two flows in the Kenninji school, the former is the Sakagamis one of whom became Daikugashira, head architect of the Maeda clan, and the latter is the Kohras who moved to Edo and worked for the Tokugawas as one of the Daikugashira.And the point is whether there is a style of kenninji-ryu or not, in comparison with normal way of designing in the early modern times in addition to that, there is a possibility of distinction between the two carpenters.Before making a comparative study between two architects it must be clear what is the characteristics of Kenninji-ryuh.The most prominent architecture, what we call Kenninji-ryu are as follows :Myohjyohji temple(the main ones are five story pagpda, main hall, Soshidoh and Sanjyuh-b … More anshindoh), Nikkoh Tohshohguh(the mains are five story pagpda and Rinnohji Dayuhin Reibyoh) and Zuiryuhji( Butsuden). In relation to the pagoda of Myohjyohji, it is required to compare it with the pagodas of Nakayama-Hokekyohji, Ikegami-Honmonji, Kan-eiji and so forth.In case of accurate comparing the architecture belonging to Ken-ninji school it is desirable to analyze the same series of architecture, for example, pagodas and main hall.And moreover it is necessary to compare them with those of the same period in order to make clear distinction in the field of Zen style architecture.In this study, Ken-ninji school pagodas have the same method measure planning which was adopted from the three story pagoda in the middle age.Apart from Zuiryuhji(Butsuden) built in purely Zen style, it is rather hard to adapt Zen style to the main hall of Myohjyohji with Mikkyoh plan and composition with that of Wayoh style.The most important parts adopted Zen style(tsumegumi) is to Naijin with squire plan(the main hall of Myohjyohji), and the other is to the inner structure of Gejin(domical space) by using long beam(Myohjyohji-soshidou).The third one is the relation with eave bracket and rafter. In the Edo era though bracheting system, rokushigake was used all over the place except Hokuriku area. Like the main hall of Myohjyohji, yonshigake (side both rafter are placed at the center of both masu) was prevalent in Hokuriku area at the end of the Edo era.The two characteristics and the decision method of measurement are conspicuous in Ken-ninji school especially in Hokuriku district. Less