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Study of style and design on temples and shrines in the momoyama-edo period

桃山江户时代寺庙和神社的风格和设计研究

基本信息

批准号：
12650649
负责人：
SAKURAI Toshio
金额：
$ 1.6万
依托单位：
Kinki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12650649/
关键词：
Temples and shrines in modern times HONDEN in shrinr Main-hall in the modern times Momoyama-period style Edo-period style Detail design in the modern times District design in temples and shrines in the modern times Construction of temples an

项目摘要

Here it is summarized the points mainly from style and design of temples and shrines in the Momoyama and edo era. Details are given under. Shrine architecture (Honden)The representative shrine type in the modern times is Honden-complex, what is called, the GONGENZUKURI like those of the Kitano-tenmaguh and the Tohshohguh. By examining their roots and making a comparative study of these kinds of architecture, it could be made clear the characteristics of style and design in the modern times.In the GONGENZUKURI there are two types of roots : one is as it were HACHIMANGUH family, the other is TENMAGUH family. The Honden of the former type is Nagare-zukuri, the latter Irimoya-zukur. And in the modern times each shape of Honden gradually changed into the belonged shape and made a Honden-mplex connecting with Haiden and Heiden after the Kitano-tenmaguh and the famous Tsurugaoka^hachimanguh in the Kantoh area. Before this tendency it is ascertained that the preparation was in progress gradual … More ly. Also in the Kansai area there is a distinction in detail design like Eyouh, Kurigata, Gokusaishiki and using method of sculpture of which parts constitute the design of Momoyama style.In the Kansai area it is recognized that Osaka and Kyoto have the different parts in making and completing Momoyama style. In in the Kansai area they colured Honden with many kinds of paints. On the other hand, in the Kantoh area they do not use color but sculptures surround Honden instead especially in the late Edo period. In Osaka instead of sculptures they use Eyouh, Kurigata, and Gokusaishiki. In Hyohgo they adopted Degumi to Nagare-zukuri styoe Honden in the Muromachi era, moreover Futatesaki in the Edo period. But in the Kantoh area they adopted Futatesaki with Odarukito Nagare-zukuri style Honden in later half of the Edo period.Temple at chitecture : Many large architecture in the modern times has the Sechuhyou-stype. In addition to that, there are some characteristic families like famous Saigoku 33 temples, and traditional old Mikkoyou temples. On the other hand, temples of the Kamakura-shin-bukkyou, especially in the Nichiren-sect temple main hall Zen sect-style was introduced at the Naijin, but in the Jyoudo and Jyoudo-shinshuh sect it was very humble in style except the head temples. The Matsuji-temple which belonged to lower class were not used Kuminomo except on Raigoh-hashira. So generally speaking the style and shape was very humble.Temples in the modern times were very different in plan by each sect, in the place where they were built and in the head or branch temple. These character is by far the stronger than the difference of each district. In the Kansai area they use Wayoh-style and do not introduce Zen-sect style easily, till the end of the Edo era. On the contrary, in the Kantoh area they use Zen-sect style all the time since the end of the Muromachi period. This tradition lasted long and influenced environs.Tatenoborase-hashira which were used in large architecture, keeping in step with completion of Koyagumi, is useful and effective in making dwelling like temple into full-scale Hndoh especially in the Jyohdo and Jyohdo-shinshuh sects.Construction and design : The most characteristic construction in the modern times is Tatenoborase-hashira. It relates deeply with large and representative architecture along with the usage of Setchyuhyo-style by inserting Sashihijiki into it. Getting large and grand space made main hall as a one space body.On the other hand, in the field of shrine architecture there is a clear distinction between Kansai-district and the Kantoh area, in detail there are some more distinction in the Kansai area. Less

本文主要从森山和江户时代的寺庙和神社的风格和设计两个方面进行了总结。详情见下。神社建筑是现代神社中具有代表性的神社类型，与北野天马和东正的神社一样，也被称为神社建筑群。通过考察它们的根源，并对它们进行比较研究，可以清楚地了解到现代建筑的风格和设计特点。在贡恩祖库里，有两种类型的根源：一种是哈奇曼古家族，另一种是天马家族。前者的本名是纳格雷-祖库里，后者是伊里莫亚-祖库尔。近代以来，在关东地区的北野天马和著名的Tsurugaoka hachimanguh之后，洪登的各种形状逐渐演变为归属的形状，形成了连接海登和海登的洪登复合体。在这一趋势之前，可以确定制剂是在逐步…的过程中更确切地说。关西地区也有不同的细节设计，如Eyouh，栗形，Gokusaishiki和使用雕刻的方法，其中的部分构成了木山风格的设计。在关西地区，人们认识到大阪和京都在制作和完善木山风格方面有不同的部分。在关西地区，他们用多种颜料给洪登上色。另一方面，在关东地区，他们不使用颜色，而是用雕塑环绕本登，特别是在江户时代晚期。在大阪，他们不使用雕塑，而是使用Eyouh，Kurigata和Gokusaishiki。在Hyohgo，他们在室町时代采用了Degumi to Nagare-zukuri Styoe Honden，而在江户时代采用了Futatesaki。但在关东地区，他们在江户时代后半期采用了带有Odarukito Nagare-Zukuri风格的Futatesaki。建筑上的寺庙：现代许多大型建筑都有Sechuhyou风格。除此之外，还有一些有特色的家庭，比如著名的西国33寺，以及传统的古老的米古尤寺庙。另一方面，镰仓寺，特别是日仁寺正殿禅宗风格的寺庙是在乃津寺引入的，但在集友道和集友道新书教派中，除了头部寺庙外，其他的风格都很简陋。属于下层阶级的松地寺，除了在拉伊古-哈希拉之外，并没有使用Kumomo。因此，总的来说，寺庙的风格和造型都是非常简陋的。近代的寺庙，无论是在建造的地方，还是在正殿或支庙，在各个教派的规划上都有很大的不同。到目前为止，这些特点远远强于每个地区的差异。在关西地区，直到江户时代末期，他们一直沿用怀俄式，并不轻易引入禅宗风格。相反，在关东地区，自室町时代结束以来，一直使用禅宗风格。这一传统延续了很长时间，并影响了环境。在大型建筑中使用的纹身-hashira与小泉的建成同步，在将寺庙般的民居打造成完整的Hndoh方面是有用和有效的，特别是在Jyohdo和Jyohdo-Shinsheh派别。建筑和设计：现代最具特色的建筑是Tatenoborase-hashira。它与大型、具有代表性的建筑有着深刻的联系，并通过在其中插入Sashijiki来使用Setchyuhyo风格。大而宏伟的空间使得大殿成为一个整体。另一方面，在神社建筑领域，关西地区和关东地区有明显的区别，具体来说，关西地区有一些更多的区别。较少