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Study of style and design on temples and shrines in the momoyama-edo period

桃山江户时代寺庙和神社的风格和设计研究

基本信息

批准号：
12650649
负责人：
SAKURAI Toshio
金额：
$ 1.6万
依托单位：
Kinki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12650649/
关键词：
Temples and shrines in modern times HONDEN in shrinr Main-hall in the modern times Momoyama-period style Edo-period style Detail design in the modern times District design in temples and shrines in the modern times Construction of temples an

项目摘要

Here it is summarized the points mainly from style and design of temples and shrines in the Momoyama and edo era. Details are given under. Shrine architecture (Honden)The representative shrine type in the modern times is Honden-complex, what is called, the GONGENZUKURI like those of the Kitano-tenmaguh and the Tohshohguh. By examining their roots and making a comparative study of these kinds of architecture, it could be made clear the characteristics of style and design in the modern times.In the GONGENZUKURI there are two types of roots : one is as it were HACHIMANGUH family, the other is TENMAGUH family. The Honden of the former type is Nagare-zukuri, the latter Irimoya-zukur. And in the modern times each shape of Honden gradually changed into the belonged shape and made a Honden-mplex connecting with Haiden and Heiden after the Kitano-tenmaguh and the famous Tsurugaoka^hachimanguh in the Kantoh area. Before this tendency it is ascertained that the preparation was in progress gradual … More ly. Also in the Kansai area there is a distinction in detail design like Eyouh, Kurigata, Gokusaishiki and using method of sculpture of which parts constitute the design of Momoyama style.In the Kansai area it is recognized that Osaka and Kyoto have the different parts in making and completing Momoyama style. In in the Kansai area they colured Honden with many kinds of paints. On the other hand, in the Kantoh area they do not use color but sculptures surround Honden instead especially in the late Edo period. In Osaka instead of sculptures they use Eyouh, Kurigata, and Gokusaishiki. In Hyohgo they adopted Degumi to Nagare-zukuri styoe Honden in the Muromachi era, moreover Futatesaki in the Edo period. But in the Kantoh area they adopted Futatesaki with Odarukito Nagare-zukuri style Honden in later half of the Edo period.Temple at chitecture : Many large architecture in the modern times has the Sechuhyou-stype. In addition to that, there are some characteristic families like famous Saigoku 33 temples, and traditional old Mikkoyou temples. On the other hand, temples of the Kamakura-shin-bukkyou, especially in the Nichiren-sect temple main hall Zen sect-style was introduced at the Naijin, but in the Jyoudo and Jyoudo-shinshuh sect it was very humble in style except the head temples. The Matsuji-temple which belonged to lower class were not used Kuminomo except on Raigoh-hashira. So generally speaking the style and shape was very humble.Temples in the modern times were very different in plan by each sect, in the place where they were built and in the head or branch temple. These character is by far the stronger than the difference of each district. In the Kansai area they use Wayoh-style and do not introduce Zen-sect style easily, till the end of the Edo era. On the contrary, in the Kantoh area they use Zen-sect style all the time since the end of the Muromachi period. This tradition lasted long and influenced environs.Tatenoborase-hashira which were used in large architecture, keeping in step with completion of Koyagumi, is useful and effective in making dwelling like temple into full-scale Hndoh especially in the Jyohdo and Jyohdo-shinshuh sects.Construction and design : The most characteristic construction in the modern times is Tatenoborase-hashira. It relates deeply with large and representative architecture along with the usage of Setchyuhyo-style by inserting Sashihijiki into it. Getting large and grand space made main hall as a one space body.On the other hand, in the field of shrine architecture there is a clear distinction between Kansai-district and the Kantoh area, in detail there are some more distinction in the Kansai area. Less

本文主要从桃山和江户时代的寺庙和神社的风格和设计方面进行总结。详情见下。神社建筑（本殿）现代的代表性神社类型是本殿复合体，即所谓的宫源祖库里，如北野天马宫和东照宫。通过对它们的根源进行考察和比较研究，可以明确近代建筑的风格和设计特征。在贡源筑里，根源有两种：一种是八芒古家族，另一种是天马古家族。前一种类型的Honden是Nagare-zukuri，后者Irimoya-zukur。近代以来，本殿的各种形态逐渐演变为各自的形态，形成了继关东地区的北野天马宫和著名的鹤冈八幡宫之后，连接海殿和海登的本殿复合体。在这一趋势之前，可以确定的是，准备工作是逐步进行的。 ...更多信息 ly.在关西地区，也有像Eyouh、Kurigata、Gokusaishiki这样的细节设计和使用雕刻方法的区别，这些部分构成了桃山风格的设计。在关西地区，大坂和京都在制作和完成桃山风格方面有着不同的部分。在关西地区，他们用各种颜料给本店上色。另一方面，在关东地区，他们不使用颜色，而是用雕塑环绕着本殿，特别是在江户时代后期。在大坂，他们使用Eyouh，Kurigata和Gokusaishiki而不是雕塑。在兵库，他们在室町时代收养了出组到长流组风格的本传，在江户时代收养了二崎。但在关东地区，江户时代后半期，他们采用了二手崎与小樽人长序式的本殿。寺庙建筑：现代许多大型建筑都有Sechuhyou-stype。除此之外，还有一些特色家庭，如着名的西谷33寺庙和传统的老Mikkoyou寺庙。另一方面，镰仓新北邮的寺庙，特别是日莲派寺庙大殿禅宗风格在内人被引入，但在Jyoudo和Jyoudo-shinshuh教派，除了头寺庙外，它的风格非常谦逊。属于下层阶级的松寺，除了Raigoh-hashira之外，没有使用Kuminomo。因此，一般来说，风格和形状是非常简陋的。在现代的寺庙是非常不同的计划，由每个教派，在他们的地方，并在头部或分支寺庙。这些特征远远强于各地的差异.在关西地区，他们使用Wayoh风格，不容易引入禅宗风格，直到江户时代结束。相反，在关东地区，他们从室町时代结束以来一直使用禅宗风格。这一传统持续了很长时间，并影响了周边地区。与小屋组的完成同步，在大型建筑中使用的立天宝冢桥，特别是在Jyohdo和Jyohdo-shinshuh教派中，对于将寺庙般的住宅变成完整的Hndoh是有用和有效的。它与大型代表性建筑沿着，并在其中插入了Sashihijiki，使其成为一个整体。另一方面，在神社建筑领域，关西地区与关东地区有着明显的区别，具体来说，关西地区的区别更大。少