POETIC OF DREAM IN MODERN FRENCH LITERATURE

梦是后浪漫主义时代法国文学创作的主要源泉之一。各种研究，特别是那些求助于神话学、现象学或心理分析方法的研究，继续为阅读关于梦的大量著作提供工具。然而，迄今为止所尝试的方法似乎未能彻底解释为什么梦在今天仍然是一个重要的创造来源，正如米歇尔·布托或乔治·佩雷克等作家所证明的那样。因为，梦想远不是一种承诺原创制作的现象，而是一个被令人难以置信的平凡事物困扰的世界。无论梦对做梦的人来说多么珍贵，梦的故事都可以很容易地归类，以至于无论在哪里发生创作，它似乎都不是有效的。事实上，许多作家和诗人坚持梦的现象，尽管这种表面上的贫瘠，似乎来自于他们的直觉，认识到与在梦中写作的行为有关的一些力量。梦仍然是一个流行的主题，因为它是创造一种新形式的真实想象力的来源……我们的研究试图将梦与产生文本的力量联系起来，并检查它是如何作为创作方法发挥作用的。对内瓦尔、洛特雷蒙特、莫里亚克、瓦列里四位作家分别进行了研究，特别是指出了他们作品中的意识，在梦与醒之间保持了充分的张力。

It has been repeatedly argued that dream is one of the main sources of literary creation in post-romantic France. Various studies, especially those resorting to the methods of mythology, phenomenology or psychanalysis, continue to provide tools for reading the enormous corpus of writings regarding to dream.Nevertheless, it seems that the methods attempted so far failed to explain thoroughly the reason why the dream remains an important source of creation even today, as prove authors like Michel Butor or Georges Perec. For, dream is far from being a phenomenon that promises an original production, it is rather a world haunted by incredible commonplace. However dear it is to the person who dreams, dream story can so easily be classified into categories, that it seem not to be efficient wherever occurs a creation. The fact that many writers and poets insist on the phenomenon of dream despite this apparent sterlility comes, it seems, from their intuition which recognizes some force in relation to the act of writing in it. The dream remains a previleged theme because it is a source of authentic imagination which invents a new form....Our research attempts to relate the dream with the force which produces texts and to examinate how it functions as creative method. Four authors, Nerval, Lautreamont, Mauriac, Valery, are studied respectedly, especially with the view of pointing out the awareness in their work, sustaining full tension between dream and awakening.