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Research of iconographic image-ized movement of idea in Western modernization, or image thinking

西方现代化中图像化的图像化思想运动或图像思维研究

基本信息

批准号：
10610502
负责人：
HARA Kenji
金额：
$ 1.47万
依托单位：
TOKYO METROPOLITAN UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1998
资助国家：
日本
起止时间：
1998 至 1999
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610502/
关键词：
grotto Opera theater Iconography Media Wagner 図像学エンブレム建築庭園

项目摘要

In order to solve iconographic image-ized movement of the idea after the Renaissance, various iconographic images were database-ized first. As a key, which carries out effective practical use of this database-ized thing, analysis of artificial caves and the research about the discour involving the Opera theater were developed. Moreover, in end-of-the-century relation, way the image of "femme fatal" and the image of an "angel" were individualized was followed. Moreover, it had a hand in the analysis of the homogeneity of the iconographic image of buffoonery and the realism of the Netherlands still life in the 17th century. A possibility of developing relation by the entertainments of a Western open space and the new world in iconographic image was obtained from here. Moreover, by the study on opera Turandot "the grand opera of love 2", in order to regard similarity as the wonderful scene of the Old Testament where an angel fights with Jacob, to an exchange of a mystery in two heroes etc … More ., the plate of Delacroix and Gauguin and the plate of the "tankredi" of the Renaissance were combined. It elaborated on this and it was able to be shown clearly that confrontation of a man and a woman has the structure of the mutual fate by the grapple with an angel funadamentally. On the other hand, also in the monography on Wagner "sight-seeing romanticism is real", the trial which combines the tropical plate in the 19th century, a grotto plate, a panorama plate, an amusement-park plate, and a regal garden plate was performed. In the depth of a semantic myth interpretation, the new aspect of affairs of Wagner on optics completely different from the conventional theory on Wagner for which it has waited was opened by iconographic image research. Moreover, the directivity of a study-of-literature-media theory was unearthed by thinking of the relation of the "thing" and the "language" in a genre "things poetry" by huge span called Homer, the emblem of the baroque, Rilke, and Joseph Kosuth. In this way, when mass was substantial in these individual researches, the foundation which develops the iconographic image research as a paradigm of a criterion was built. Less

为了解决文艺复兴以后的图像化思潮，各种图像首先被数据库化。人工洞穴的分析和歌剧院相关话语的研究是实现数据库化的有效实用化的关键。此外，在世纪末的关系中，“致命的女人”形象和“天使”形象是如何被个性化的。此外，它还参与了对滑稽形象的同质性和17世纪荷兰静物画的现实主义的分析。通过西方开放空间的娱乐活动和图像图像中的新世界的发展关系的可能性从这里获得。此外，通过对歌剧《图兰朵》《爱情大歌剧2》的研究，认为《旧约》中天使与雅各战斗的精彩场面、两个英雄之间的神秘交流等都有相似之处 ...更多信息 .,德拉克洛瓦和高更的盘子与文艺复兴时期的"坦克雷迪"的盘子结合在一起。它阐述了这一点，它是能够清楚地表明，一个男人和一个女人的对抗有共同的命运结构的斗争与天使funadamentally。另一方面，也是在瓦格纳的专著《观光浪漫主义是真实的》中，进行了将19世纪的热带板块、石窟板块、全景板块、游乐园板块、皇家园林板块相结合的尝试。在语义神话阐释的深度上，图像学的图像研究为瓦格纳的光学研究开辟了一个与传统的瓦格纳理论完全不同的新的视角。此外，通过对巴洛克象征荷马、巴洛克和约瑟夫·科苏特的"物诗"体裁中"物"与"语言"关系的思考，揭示了文学媒介理论研究的方向性。这样，当这些个体研究中的质量是实质性的时，就建立了发展作为标准范式的图像图像研究的基础。少