Research of iconographic image-ized movement of idea in Western modernization, or image thinking

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In order to solve iconographic image-ized movement of the idea after the Renaissance, various iconographic images were database-ized first. As a key, which carries out effective practical use of this database-ized thing, analysis of artificial caves and the research about the discour involving the Opera theater were developed. Moreover, in end-of-the-century relation, way the image of "femme fatal" and the image of an "angel" were individualized was followed. Moreover, it had a hand in the analysis of the homogeneity of the iconographic image of buffoonery and the realism of the Netherlands still life in the 17th century. A possibility of developing relation by the entertainments of a Western open space and the new world in iconographic image was obtained from here. Moreover, by the study on opera Turandot "the grand opera of love 2", in order to regard similarity as the wonderful scene of the Old Testament where an angel fights with Jacob, to an exchange of a mystery in two heroes etc … More ., the plate of Delacroix and Gauguin and the plate of the "tankredi" of the Renaissance were combined. It elaborated on this and it was able to be shown clearly that confrontation of a man and a woman has the structure of the mutual fate by the grapple with an angel funadamentally. On the other hand, also in the monography on Wagner "sight-seeing romanticism is real", the trial which combines the tropical plate in the 19th century, a grotto plate, a panorama plate, an amusement-park plate, and a regal garden plate was performed. In the depth of a semantic myth interpretation, the new aspect of affairs of Wagner on optics completely different from the conventional theory on Wagner for which it has waited was opened by iconographic image research. Moreover, the directivity of a study-of-literature-media theory was unearthed by thinking of the relation of the "thing" and the "language" in a genre "things poetry" by huge span called Homer, the emblem of the baroque, Rilke, and Joseph Kosuth. In this way, when mass was substantial in these individual researches, the foundation which develops the iconographic image research as a paradigm of a criterion was built. Less