Research of iconographic image-ized movement of idea in Western modernization, or image thinking

为了解决文艺复兴之后的图像化思想运动，首先对各种图像进行了数据库化处理。作为对这一数据库进行有效实际利用的关键，开展了人工洞穴分析和涉及歌剧院的病害研究。此外，在世纪末的关系中，对“致命女性”形象和“天使”形象的个体化进行了探讨。此外，它还参与了对17世纪荷兰静物画中小丑形象和现实主义的同质性的分析。从这里获得了一种通过西方开放空间的娱乐与肖像图像中的新世界发展关系的可能性。此外，通过对歌剧《图兰朵》《爱情大戏2》的研究，将其与《旧约》中天使与雅各搏斗的精彩场景、两位英雄之间的秘密交换等相似。例如，德拉克洛瓦和高更的盘子与文艺复兴时期的“坦克雷迪”的盘子结合在一起。它对此进行了详细的阐述，并能够清楚地表明，男女的对抗从根本上具有与天使的搏斗的共同命运的结构。另一方面，同样在瓦格纳的《观光浪漫主义是真实的》专著中，进行了结合19世纪热带板块、石窟板块、全景板块、游乐园板块、帝王花园板块的试验。在一个语义神话的阐释深处，意象意象研究打开了瓦格纳关于光学的一个完全不同于其所期待的传统瓦格纳理论的新方面。此外，通过对巴洛克象征人物荷马、里尔克、约瑟夫·科苏斯等人的“物诗”体裁中“物”与“语言”关系的思考，发掘了文学媒介理论研究的指向性。这样，当这些个体研究有了大量的成果时，就奠定了将图像学研究发展为一种标准范式的基础。少

In order to solve iconographic image-ized movement of the idea after the Renaissance, various iconographic images were database-ized first. As a key, which carries out effective practical use of this database-ized thing, analysis of artificial caves and the research about the discour involving the Opera theater were developed. Moreover, in end-of-the-century relation, way the image of "femme fatal" and the image of an "angel" were individualized was followed. Moreover, it had a hand in the analysis of the homogeneity of the iconographic image of buffoonery and the realism of the Netherlands still life in the 17th century. A possibility of developing relation by the entertainments of a Western open space and the new world in iconographic image was obtained from here. Moreover, by the study on opera Turandot "the grand opera of love 2", in order to regard similarity as the wonderful scene of the Old Testament where an angel fights with Jacob, to an exchange of a mystery in two heroes etc … More ., the plate of Delacroix and Gauguin and the plate of the "tankredi" of the Renaissance were combined. It elaborated on this and it was able to be shown clearly that confrontation of a man and a woman has the structure of the mutual fate by the grapple with an angel funadamentally. On the other hand, also in the monography on Wagner "sight-seeing romanticism is real", the trial which combines the tropical plate in the 19th century, a grotto plate, a panorama plate, an amusement-park plate, and a regal garden plate was performed. In the depth of a semantic myth interpretation, the new aspect of affairs of Wagner on optics completely different from the conventional theory on Wagner for which it has waited was opened by iconographic image research. Moreover, the directivity of a study-of-literature-media theory was unearthed by thinking of the relation of the "thing" and the "language" in a genre "things poetry" by huge span called Homer, the emblem of the baroque, Rilke, and Joseph Kosuth. In this way, when mass was substantial in these individual researches, the foundation which develops the iconographic image research as a paradigm of a criterion was built. Less