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Research of iconographic image-ized movement of idea in Western modernization, or image thinking

西方现代化中图像化的图像化思想运动或图像思维研究

基本信息

批准号：
12610537
负责人：
HARA Kenji
金额：
$ 1.98万
依托单位：
Tokyo Metropolitan University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

项目摘要

The viewpoint of iconographic-image-izing of the idea after the Renaissance was investigated succeedingly. I explained the optics nature of Wagner's composite art work at the regular meeting in Wagner association July in the 2001 fiscal year. It is about the plate of the optical theater about 1800 years, and the structure of the Bayreuth festival theater. Friedrich Schinkel which was going to reproduce ancient times as an imitation-of-classical-styles person with inventor Friedrich of Germanic peoples scenery is related to this theme. As a result of investigating especially about Friedrich Schinkel, in addition to the meaning of each iconographic image, an optical qualitative change of this time became clear. Considering this as Schinkel research, it is a publication schedule from Getto Co. on of these days. Moreover, Friedrich was also discussed in the report of Grant-in-Aid for Scientific Research (C). Thus, a research result is gathering. Furthermore, research presentation about Figurengedichte which was a research theme for years is made. It comes out in a monthly "a modern poetry notebook", discussing the correspondence of a picture and literature "Ekphrasis" in the through title "poetry is like a picture". The iconographic image media which continue till the baroque and the present age from ancient times are due to be discussed thoroughly. In addition, a stage fine-arts theory is also due to be summarized to one. Furthermore, translation written by Bredekamp [which is the model of an iconographic image decipherment] "the iconography of calcio" is advanced (Hosei University Press). The booklet centering on a Aby Warburg theory was published in January, further 2003.

对文艺复兴以后的图像化观点进行了深入的探讨。我在2001年7月瓦格纳协会的例会上解释了瓦格纳的复合艺术作品的光学性质。它是关于1800年左右的光学剧院的盘子，以及拜罗伊特节日剧院的结构。弗里德里希·申克尔与发明家弗里德里希·日尔曼民族的风景画都与这一主题有关，他是一个模仿古典风格的人，要再现古代。由于特别是对弗里德里希·申克尔的调查，除了每个图像的意义之外，这个时候的光学质变变得清晰起来。考虑到这是申克尔的研究，这是一个出版时间表从Getto公司在这些天。此外，弗里德里希还在科学研究资助报告（C）中进行了讨论。因此，一项研究成果正在收集。此外，还对多年来一直是研究主题的Figurengeelite进行了研究介绍。它发表在每月一期的《现代诗歌笔记》上，讨论了一幅图片与文学作品《Ekphrasis》的对应关系，标题为《诗如画》。从古代一直延续到巴洛克时期和当代的图像媒介，应该得到彻底的讨论。此外，舞台美术理论也是一种应有的总结。此外，Bredekamp所写的翻译[这是一个图像解码的模型]“calcio的图像”是先进的（法政大学出版社）。这本小册子集中在一个阿比瓦尔堡理论出版于1月，进一步2003年。