The Relationship between Authors and the Copyright System, in 19^<th> Centuiy France

十九世纪法国作者与版权制度的关系

• 批准号: 12610521
• 负责人: MIYASHITA Shiro
• 金额: $ 1.98万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2000
• 资助国家: 日本
• 起止时间: 2000 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610521/
• 关键词: French Literature; Copyright; Printing Medium; Social History; Balzac; Zola; メディア(活字); 文学の社会史

The research focused on such primary documents as private letters, notes, and publishing contracts of the 19th century authors, ncluding Balzac, Zola and Flaubert, and assembled their discourse on copyrights and royalties. On that basis an understanding was gained about how authors had been involved in a symbolic struggle in relation to legal systems. The outcome of the research has been published in some articles and a book (For the History of Books : Shobunsha).The following contribution has also been made in close connexicn with the research.+ At an international symposium entitled "The Century of Balzac", which was held at Dokkyo Universtty in December 2001, 1 made a presentation on the Japanese-French dissimilarity in the practice of rental libraries, as a result of which the adequacy of my approach has come to be recognised by European and American researches.+ As one of four associate editors, I participated in editing "The Art of Printing" (Toppan Printing, General Editors : Awatsu, Kiyoshi ; Kabayama, Kachi ; Aiba, Jun and two others), which was published to celebrate the centenary of Toppan Printing Co., Ltd. The work won the Gesner Prize.+ Together with Professor Ogura Kosei of Keio University, I am responsible for editing Zola Collection, which is being published from November 2002 from Fujiwara Shoten, and which consists of 11 volumes and a supplement. It is the first project in Japan to systematically publish works of Zola, and it plants to incorporate translations of texts concerring symbolic struggles in literature.(I am the editor of the first volume, which is a collection of his early works.)Based on these achievements, a new research program is being launched, which studies among other things the reception of newspaper novels. (The title of the Kagaku-Kenkyu grant research project has been "A Cultural-Historical Research on the Reception of Novels in Later 19th Century France".)

本研究以巴尔扎克、左拉和福楼拜等19世纪作家的私人信件、笔记和出版合同等原始文献为研究对象，汇集了他们关于版权和版税的论述。在此基础上，对提交人如何卷入与法律的制度有关的象征性斗争达成了理解。研究结果已发表在一些文章和一本书（《书史》）中。与此密切相关的还有以下贡献。2001年12月在独协大学举行的题为“巴尔扎克的世纪”的国际研讨会上，我发表了关于日本和法国在出租图书馆实践中的差异的演讲，结果我的方法的适当性得到了欧洲和美国研究人员的认可。作为四位副编辑之一，我参与编辑了为庆祝凸版印刷公司成立一百周年而出版的《印刷的艺术》（凸版印刷，总编辑：Awatsu，Kiyoshi ; Kabayama，Kachi ; Aiba，Jun和其他两人），该作品获得了格斯纳奖。+我与庆应义塾大学的小仓康成教授一起负责编辑藤原书店从2002年11月开始出版的左拉文集，该文集包括11卷和一个补编。这是日本第一个系统出版左拉作品的项目，它计划将文学中有关象征性斗争的文本翻译纳入其中。（我是第一卷的编辑，这是他早期作品的集合。在这些成果的基础上，一项新的研究计划正在启动，其中包括研究报纸小说的接受情况。(The Kagaku-Kenkyu研究项目的标题是“19世纪后期法国小说接受的文化历史研究”。

项目成果

宮下 志朗: "いま、なぜゾラか(宮下志朗・小倉孝誠共編)"藤原書店. 324 (2002)

宫下史郎：“现在为什么是佐拉？（宫下史郎和小仓隆正共同编辑）”藤原书店 324 (2002)。

SHIRO MIYASHITA (co-editiing with KIYOSHI AWAZU, KOICHI KABAYAMA, JUN AIBA, etc): "The Art of Printing(Artes imprimendi)"Toppan Printing. 1194 (2001)

宫下四郎（与粟津清、茅山浩一、相叶淳等合编）：《印刷的艺术（Artes imprimendi）》凸版印刷。

SHIRO MIYASHITA: "Le Temps des oeuvres (sous la direction de J.Neefs)"Presse Universitaire de Vincennes, Paris. 252 (2001)

宫下士郎：“Le Temps des oeuvres (sous la Direction de J.Neefs)”巴黎文森大学出版社。

宮下志朗: "書評:マングェル『読書の歴史』柏書房"『学鐙』丸善. 4月号. 42-45 (2000)

宫下四郎：“书评：曼格尔的《阅读史》柏书房”《学习》丸善 42-45 号（2000 年）。

SHIRO MIYASHITA (co-edrtor=AI TANJI): "Praxis of Languaga 3. Ecology of the Book"U. of Tokyo Press. 306 (2001)

SHIRO MIYASHITA（共同编辑=AI TANJI）：“语言实践 3. 书籍的生态学”U.