A Complete Study and Research of Intertextuality in Mumyo Soshi
A Complete Study and Research of Intertextuality in Mumyo Soshi
批准号:
13610505
负责人:
TAKAHASHI Toru
金额:
$1.6万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2001
资助国家:
日本
项目状态:
已结题
起止时间:
2001 至 2003
中文摘要
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英文摘要
Written around 1200s, Mumyo Soshi is a literary piece famous for its remarks on monogatari (fiction), especially in that it is the oldest existing piece of such kind. Through the close examination of its intertextuality, both literary and cultural position of the piece became evident. To be specific, by analyzing the pieces avoided in the citation and the historical and cultural phenomena as well as the pieces cited, Mumyo Soshi, a piece originally considered a mere impressionistic criticism, has now gained the rightful status as a product of yearning for aristocracy, a product seen from the viewpoint peculiar to the culture already lost in reality : the female court culture.The fact that the value judgments based on the Buddhist belief softenes after the introduction, and is taken over by admiration for the female court culture, is another sign for this piece to be written from the point of view of women in the aristocratic culture. From this, it became clear that the heart of the fem … More ale court culture lies in "tsukuri monogatari (fictional story)" such as Genji Monogatari, during the time when composition of waka and waka anthology in addition to creating pieces such as setsuwa shu (anthology of tales) and kagamimono (historical literature) was all robbed from the hands of women, also revealing a critical principle of the piece which could be called as the "poetics of monogatari (fiction)".To name a few, the actual achievement of this project can be seen in "A Biographical Sketch of Cited Pieces", "A Chronological Table of Cited Pieces", and "A Chronological Table of Names", all built upon the result of reexamination of the intertextuality. In addition, by setting the view of court ladies, it succeeded in clarifying the historical phase of "female" culture after the fall of aristocracy. Also, by hypothesizing the genre "soshi (essays)" beginning with Makura no Soshi it opened the view of relating the piece with ideas such as "yotsugi (historical storytelling)" and "utagatari (waka based storytelling)". Less
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高橋 亨: "王朝<女>文化と『無名草子』"古代文学研究 第二次. 10. 4-12 (2001)
高桥彻:“王朝<女性>文化与‘未知杂氏’”古代文学研究卷2.10.4-12(2001)
DOI:
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发表时间:
期刊:
影响因子:
--
作者:
[]
通讯作者:
「歌語り」と物語ジンルの生成
“讲歌”与叙事故事的生成
DOI:
--
发表时间:
2003
期刊:
SITES 統合テクスト科学研究 1・2
影响因子:
--
作者:
[高橋 亨]
通讯作者:
高橋 亨
高橋亨: "王朝<女>文化と『無名草子』"古代文学研究. 第二次10. 4-12 (2001)
高桥彻:“王朝<女性>文化与‘未知杂氏’”古代文献研究2 10. 4-12 (2001)。
DOI:
--
发表时间:
期刊:
影响因子:
--
作者:
[]
通讯作者:
DOI:
--
发表时间:
2003
期刊:
SITES Studies for the Integrated Text Science 1-2
影响因子:
--
作者:
[高橋 亨, Toru Takahashi]
通讯作者:
Toru Takahashi
高橋 亨: "「歌語り」と物語ジャンルの生成"SITES 統合テクスト科学研究. 1・2. 159-190 (2003)
高桥彻:“歌曲叙事和故事类型的创作”SITES 综合文本科学研究 1・2(2003 年)。
DOI:
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发表时间:
期刊:
影响因子:
--
作者:
[]
通讯作者:
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