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Transatlantic : How the Literary Imagination Creates the Intenelationship between Britaidi and America

跨大西洋:文学想象力如何创造英国与美国之间的联系

基本信息

批准号：
18520196
负责人：
SASAKI Toru
金额：
$ 2.46万
依托单位：
Kyoto University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2006
资助国家：
日本
起止时间：
2006 至 2007
项目状态：
已结题

项目摘要

According to the research plan set up in 2006, we have gathered material on problems relating to the transatlantic, and have accomplished what follows in terms of publication.Sasaki wrote (1) on Roman Polanski's film based on Dickens's novel Oliver Twist, (2) on Chesterton's classic study of Dickens, noting Chesterton's emphasis on Dickens's transatlantic experience, namely his travel to America in 1842; (3) on Edmund Wilson's famous study of Dickens which provoked hostile reactions from British critics such as Philip Collins and Q. D. Leavis (based on paper read at an international conference in Amsterdam); (4) on a recent study of Dickens, pointing out an American critic's difficulty of understanding Dickens because of cultural differences.Wakashima, in his research, has broadened the notion of "transatlantic" and wrote (1) on the “transcultural" aspect of Vladimir Nabokov's novel Lolita in terms of its translation; (2) on the transpacific cultural exchange between Shigeo Tobita and John Hawkes; (3) a book-length study on Nabokov, and (4) edited an annotated translation of Nabokov's annotated translation of Pushkin's Eugene Onegin, showing how it is influenced by the French translation. He also organized a symposium on "Cosmopolitanism and British and American Literature", reading a paper on two contemporary novelists, a Russian in Germany and a Russian in America, with reference to their difference from Nabokov.

根据2006年制定的研究计划，我们收集了有关跨大西洋问题的材料，并完成了以下出版工作。佐佐木写道：（1）罗曼·波兰斯基根据狄更斯的小说《雾都奥利弗》改编的电影;（2）切斯特顿对狄更斯的经典研究，注意到切斯特顿强调狄更斯的跨大西洋经历，即他在1842年前往美国;（3）埃德蒙·威尔逊对狄更斯的著名研究引起了英国批评家菲利普·柯林斯和Q. D.利维斯（4）在最近的一次狄更斯研究中，若岛指出了美国批评家由于文化差异而难以理解狄更斯的问题，他在研究中扩展了“跨大西洋”的概念，并写道：（1）从弗拉基米尔·纳博科夫的小说《洛丽塔》的翻译角度探讨了“跨文化”的一面;（2）关于飞田茂雄和约翰·霍克斯之间的跨太平洋文化交流;（3）对纳博科夫的一本书长的研究;（4）编辑了纳博科夫对普希金的尤金奥涅金的注释翻译的注释翻译，显示它是如何受到法国翻译的影响。他还组织了“世界主义与英美文学”研讨会，阅读了一篇关于两个当代小说家的论文，一个是在德国的俄罗斯人，一个是在美国的俄罗斯人，提到了他们与纳博科夫的不同。