"Rausch" and Technique-Literature and Arts in the German-speaking Countries around the Fin de Siecle

在这个项目中，雕刻出1900年左右的“Rausch”(狂热、陶醉)的审美表达是通过技术和技术实现的，集体“Rausch”的表达使用了机器和技术的形象。具体指出了唤起集体“劳施”的舞台技术对戏剧和政治宣传的作用，并表明“劳施”的观点也反映在当代科学和知识分子话语中。“劳施”的概念意味着放松对自我的完整性和意识以及融入集体的控制。

In this project it was carved out that the aesthetic expression of "Rausch"(frenzy, intoxication) around 1900 is achieved through technique and technology, and the expression of collective "Rausch" uses the images of machines and technique. It was specifically pointed out which function techniques of staging that evoke collective "Rausch" had for theater and political propaganda, and it was shown that the viewpoint of "Rausch" is also reflected in contemporary science and the intellectual discourse. The notion of "Rausch" implicates to loose the control about the integrity and awareness of the ego and the merge into the collective.