Refracted Images: Imagism's Roots and Legacies in Japanese and English Literature

折射图像：日本和英国文学中意象主义的根源和遗产

• 批准号: 16F16743
• 负责人: 原 英一
• 金额: $ 0.9万
• 依托单位: Tokyo Woman's Christian University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for JSPS Fellows
• 财政年份: 2016
• 资助国家: 日本
• 起止时间: 2016-10-07 至 2019-03-31
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16F16743/
• 关键词: English Literature; Japanese Literature; Comparative Literature; Translation studies; poetry; drama; Imagism; イマジズム; 正岡子規; モダニズム; 日英交流; エズラ・パウンド

During the fiscal year 2017, I have completed all the relevant archival research for the monograph project among the Ezra Pound Papers at Yale University, two-thirds of the monograph (70,000 words), a peer-reviewed book chapter, four conference presentations, an online interview on my research project for the ModPo poetry course at the University of Pennsylvania, and the organisation of a conference related to the project’s theme, Ezra Pound and Japan.My 6,000-word book chapter, ‘“A Treasure Like Nothing We Have in the Occident”: Ezra Pound and Japanese Literature’, was accepted for publication in September 2017 and will appear in Mark Byron’s The New Ezra Pound, to be published by Cambidge University Press later in 2018.I presented three conference papers on my research in the fiscal year 2017, at the Ezra Pound International Conference at the University of Pennsylvania,at the Ezra Pound Society of Japan Annual Conference andat the conference I organised at my host universitywas interviewed by Al Filreis, director of the ModPo poetry course at the University of Pennsylvania, on 25 January 2018 on Ezra Pound’s influence on Japanese poetry. The interview has since been published online.

在2017财年期间，我已经完成了耶鲁大学Ezra磅Papers中专着项目的所有相关档案研究，专着的三分之二（70,000字），一个同行评议的书章，四个会议演示，一个关于我在宾夕法尼亚大学ModPo诗歌课程的研究项目的在线采访，并组织了一个与项目主题相关的会议，埃兹拉磅和日本。我的6,000字的书中的章节，“一个我们在西方没有的宝藏”：《以斯拉磅与日本文学》于2017年9月被接受出版，并将出现在马克·拜伦的《新以斯拉磅》中，将于2018年晚些时候由剑桥大学出版社出版。我在2017财政年度提交了三篇关于我的研究的会议论文，在宾夕法尼亚大学的Ezra磅国际会议上，在日本埃兹拉磅协会年会和我在主办大学组织的会议上，我接受了宾夕法尼亚大学ModPo诗歌课程主任Al Filreis的采访，2018年1月25日，埃兹拉·磅对日本诗歌的影响。该采访后来在网上发表。

项目成果

'H.D.'s The Walls do not Fall'

“H.D. 的墙不会倒”

• 发表时间: 2017
• 作者: TOLA Gabriele;Tola Gabriel;Tola Gabriel;Andrew Houwen;内田慶市;内田慶市;Andrew Houwen;Andrew Houwen;Tola Gabriel;Andrew Houwen
• 通讯作者: Andrew Houwen

‘Who Introduced Ezra Pound to Hokku: Yone Noguchi or Basil Hall Chamberlain?’

“是谁向 Hokku 介绍了埃兹拉·庞德：野口勇还是巴兹尔·霍尔·张伯伦？”

• 发表时间: 2017
• 作者: TOLA Gabriele;Tola Gabriel;Tola Gabriel;Andrew Houwen;内田慶市;内田慶市;Andrew Houwen;Andrew Houwen
• 通讯作者: Andrew Houwen

‘“The Dance that is Still Called Hagoromo”: Hagoromo in Ezra Pound’s Canto XLIX’

“《仍被称为羽衣的舞蹈》：埃兹拉·庞德《Canto XLIX》中的羽衣”

• 发表时间: 2018
• 作者: TOLA Gabriele;Tola Gabriel;Tola Gabriel;Andrew Houwen
• 通讯作者: Andrew Houwen

‘Imagism’s Deeper Japanese Roots: Herbert Spencer, Masaoka Shiki, and the Nineteenth-Century Invention of Haiku’

“意象主义的更深层次的日本根源：赫伯特·斯宾塞、正冈子规和十九世纪俳句的发明”

• 发表时间: 2017
• 作者: TOLA Gabriele;Tola Gabriel;Tola Gabriel;Andrew Houwen;内田慶市;内田慶市;Andrew Houwen
• 通讯作者: Andrew Houwen

Ezra Pound and Japan, 2018

埃兹拉·庞德与日本，2018

• 发表时间: 2018