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Post-socialist punk: Beyond the double irony of self-abasement (Resubmission)

后社会主义朋克：超越自卑的双重讽刺（重新提交）

基本信息

批准号：
AH/G011966/1
负责人：
Hilary Pilkington
金额：
$ 63.69万
依托单位：
University of Warwick
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2009
资助国家：
英国
起止时间：
2009 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FG011966%2F1
关键词：
Post socialist punk Beyond double

项目摘要

Despite some interest in youth cultural movements and practices in late and post-socialist societies and a slowly growing body of work on particular segments of contemporary independent music, punk has received virtually no serious academic attention. The proposed research rectifies this through the elaboration of an historically and spatially comparative study of punk in Eastern Europe conducted by an international, collaborative team of researchers from the UK, Russia, Estonia and Croatia.The rationale for the proposed study of (post-)socialist punk is not one of 'gap-filling'. It is driven rather by the argument that this absence is the consequence of scholars shying away from addressing (post-)socialist punk because it disrupts deeply established canons of thought about the meaning of punk. Moreover, these very canons - which emphasise the authentic subcultural moment - facilitate readings of secondary, 'peripheral' punk scenes as mimetic and/or commercial and thus encourage their significance to be ignored. In attempting to address the challenges posed by (post-)socialist punk, the proposed project focuses on two core tenets of understandings of punk: punk aesthetics; and the social and political meaning of punk. The project challenges the dominant reading of punk in the West as first and foremost an aesthetic articulation of late capitalist social relations. By situating punk in a different political context, the reading of punk as subcultural resistance to dominant class relations is replaced by a more open question about the political significance of the transnormative cultural practices of punk in both socialist and post-socialist Eastern Europe. Answers to this question will enrich our knowledge not only of processes of 'transformation' in East European societies, but will be of interest to international scholarship in the field of cultural studies, which is increasingly engaged with issues of global-local cultural exchange.The theoretical questions raised are operationalised through an empirical project with historical and spatial comparative dimensions. Three (post)socialist countries -Russia, eastern Germany and Croatia - are studied while a PhD student will work on parallel (West) European case studies (in the UK and The Netherlands). Five key research questions are employed, three of which function as cross-cutting themes facilitating comparison while the other two provide looser comparative parameters with capacity for 'thick description' of local specifics. The project will gather five sets of data - textual, audio, visual, interview and ethnographic - although there is flexibility built into the research design in terms of the sequential or parallel triangulation of these methods. The project will be based in, and coordinated from, the University of Warwick. The Russian national case study will be conducted by the Research Fellow and the PI both based at Warwick. The Croatian and eastern German case studies will be conducted by collaborators. The collaborators are based in Zagreb and Tartu but will conduct field research themselves in Pula and Halle respectively, employing additional research assistance as necessary. Outputs from the project include a multi authored, comparative research monograph, as well as books and articles on individual national case studies. The joint monograph will be published in both English and relevant local languages as part of a wider concern within the project to 'decentre' cultural production in practice as well as theory. Another aspect of this practice is the building of an electronic resource as a key project output. This resource will not only feature a quarterly renewed thematic, analytic e-zine on unsigned music and culture in Eastern Europe, but will also contain searchable archives holding interviews, music, videos, still photography and other artefacts. This resource is designed to become self-sustainable after the funded life-time of the project.

尽管对晚期和后社会主义社会的青年文化运动和实践产生了一些兴趣，当代独立音乐的特定部分的作品也在缓慢增长，但朋克几乎没有受到学术上的认真关注。这项拟议的研究通过详细阐述东欧朋克的历史和空间比较研究来纠正这一点，该研究由来自英国、俄罗斯、爱沙尼亚和克罗地亚的国际合作研究团队进行。拟议的(后)社会主义朋克研究的理由并不是为了填补空白。更确切地说，这种缺失是学者们回避(后)社会主义朋克的结果，因为它扰乱了关于朋克含义的根深蒂固的思想规范。此外，这些经典--它们强调真实的亚文化时刻--有助于将次要的、边缘的朋克场景解读为模仿和/或商业的，从而鼓励人们忽视它们的重要性。为了应对(后)社会主义朋克带来的挑战，拟议的项目侧重于理解朋克的两个核心原则：朋克美学；以及朋克的社会和政治意义。该项目挑战了西方对朋克的主流解读，认为它首先是对晚期资本主义社会关系的美学表述。通过将朋克置于不同的政治背景中，将朋克解读为对主导阶级关系的亚文化抵抗，被一个更开放的问题所取代，即朋克在社会主义和后社会主义东欧的跨规范文化实践的政治意义。对这个问题的回答不仅将丰富我们对东欧社会“转型”过程的了解，而且将对文化研究领域的国际学术产生兴趣，该领域越来越多地参与到全球-地方文化交流的问题中。提出的理论问题是通过一个具有历史和空间比较维度的实证项目来操作的。研究对象是三个(后)社会主义国家--俄罗斯、东德和克罗地亚，而一名博士生将研究平行的(西欧)欧洲案例研究(在英国和荷兰)。报告采用了五个关键的研究问题，其中三个问题是便于比较的横向主题，而另外两个问题则提供了较宽松的比较参数，能够对当地的具体情况进行“深度描述”。该项目将收集五组数据--文本、音频、视觉、访谈和人种学--尽管在这些方法的顺序或并行三角测量方面，研究设计具有灵活性。该项目将以华威大学为基地，并与之协调。俄罗斯国家案例研究将由设在沃里克的研究员和国际和平研究所进行。克罗地亚和东德的案例研究将由合作者进行。合作者总部设在萨格勒布和塔尔图，但将分别在普拉和哈勒进行实地研究，并在必要时提供额外的研究援助。该项目的产出包括一本多人撰写的比较研究专著，以及关于个别国家案例研究的书籍和文章。该联合专著将以英语和相关的当地语言出版，这是该项目中更广泛关注的一部分，目的是在实践和理论上“引导”文化生产。这一做法的另一个方面是建立电子资源，作为关键项目的产出。这一资源不仅包括关于东欧未签约音乐和文化的每季度更新的主题分析电子杂志，而且还将包含可搜索的档案，其中包括采访、音乐、视频、静止摄影和其他文物。这一资源被设计为在项目的资金使用期限结束后能够自我维持。