Culture and Trade through the Prism of Technical Art History - a study of Chinese export paintings
技术艺术史棱镜下的文化与贸易——中国出口绘画研究
基本信息
- 批准号:AH/K006339/1
- 负责人:
- 金额:$ 10.2万
- 依托单位:
- 依托单位国家:英国
- 项目类别:Research Grant
- 财政年份:2013
- 资助国家:英国
- 起止时间:2013 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
The Victoria & Albert Museum has a large collection of Chinese export paintings from the 18th and 19th century painted by artisans from Canton and other Chinese ports. These paintings were often sold as souvenirs to Europeans. They typically depict contemporary life in China, illustrating the various trades, costumes, boats, birds, insects and plants, aimed at satisfying foreign clients and their curiosity (and perception) of China and Chinese things. These paintings are valuable for the study of trade and cultural exchange between Britain and China in the 18th and 19th century. There is considerable interest in these paintings amongst researchers studying the economic and cultural history, international trade and cultural exchange of that epoch both within the UK and internationally. A number of museums, libraries and charities in the UK have similar collections. Internationally, similar collections exist in continental Europe, Russia, America and Asia. While the majority were painted as souvenirs for tourists, some were painted for scientific research. The Royal Horticultural Society (RHS) owns a large collection of early 19th century Chinese watercolour paintings of plants. These were commissioned by the RHS and the Chinese artisans in Canton and Macau were supervised by the RHS representative John Reeves to paint accurately plant species to serve as a plant catalogue. This collection is different from most Chinese export paintings in that they were scientific drawings and well documented by both the RHS's minutes and Reeves' notebooks. There paintings are, therefore, confidently dated. A mixture of both Chinese and European painting techniques and materials were used on some of these paintings. For example, European paper and pigments such as Whatman paper and Prussian blue were used. Technical art history is an emerging field especially for East Asian art. While there is considerable curatorial interest in the historical study of Chinese export paintings, there have been relatively few studies involving scientific analysis. Most institutions do not allow samples to be taken from paper-based objects because of conservation ethics. Consequently, conventional scientific analysis (often destructive) can only be conducted on residuals fallen off the paintings. These studies are therefore rather limited and the results may not even be representative of the paintings on the whole. One of the major problems with the study of paper-based objects is the lack of a wide range of non-invasive instruments to systematically study a large collection of materials. With the development of imaging science and technology, it is increasingly possible to conduct effective scientific examinations non-invasively. This proposal intends to address art historical and conservation research questions related to these paintings through the application of novel imaging technology developed in past research council funded projects in combination with complementary non-invasive spectroscopic techniques. This will be the first time a wide range of complementary non-invasive imaging and spectroscopic techniques are used to study a well-defined collection to address specific questions such as the nature and provenance of the painting material, date and provenance of the paintings, the relation between the painting/drawing techniques and the provenance of the material, the light sensitivity and the state of conservation of the paintings. The project will explore trade and cultural exchanges through insights from technical art history; contribute to the new emerging field of technical art history for East Asian art; demonstrate the usefulness of non-invasive scientific examination for the understanding, enjoyment and preservation of paper-based objects; contribute to future exhibitions of these paintings; and establish a network of interdisciplinary researchers with a broad common interest in the study of paper-based objects.
维多利亚和阿尔伯特博物馆收藏了大量18和19世纪的中国出口绘画,由来自广州和其他中国港口的工匠绘制。这些画经常被当作纪念品卖给欧洲人。它们通常描绘中国的当代生活,说明各种贸易,服装,船只,鸟类,昆虫和植物,旨在满足外国客户及其对中国和中国事物的好奇心(和感知)。这些绘画对研究18、19世纪英中贸易和文化交流具有重要价值。在英国和国际上研究经济和文化历史,国际贸易和那个时代的文化交流的研究人员中,对这些绘画有相当大的兴趣。英国的一些博物馆、图书馆和慈善机构也有类似的收藏。在国际上,欧洲大陆、俄罗斯、美洲和亚洲也有类似的收藏。虽然大多数被画成游客的纪念品,但有些是为了科学研究而画的。皇家园艺学会(RHS)拥有大量19世纪早期的中国植物水彩画收藏。这些是由RHS委托的,广州和澳门的中国工匠在RHS代表John Reeves的监督下准确地绘制植物物种,作为植物目录。这批藏品与大多数中国出口绘画不同,因为它们是科学绘画,并被皇家美术学院的会议记录和里夫斯的笔记本记录在案。因此,这些画作的年代是确定的。其中一些作品混合了中国和欧洲的绘画技巧和材料。例如,使用欧洲纸和颜料,如沃特曼纸和普鲁士蓝。技术艺术史是一个新兴的领域,特别是对东亚艺术而言。虽然中国出口绘画的历史研究有相当大的策展兴趣,但涉及科学分析的研究相对较少。出于保护伦理的考虑,大多数机构不允许从纸质物体中提取样本。因此,传统的科学分析(通常是破坏性的)只能对从画作上脱落的残留物进行分析。因此,这些研究是相当有限的,其结果甚至可能不能代表整个绘画。研究纸质物体的主要问题之一是缺乏广泛的非侵入性仪器来系统地研究大量材料。随着成像科学技术的发展,非侵入性地进行有效的科学检查越来越成为可能。该提案旨在通过应用在过去的研究理事会资助项目中开发的新型成像技术,结合互补的非侵入性光谱技术,解决与这些绘画相关的艺术历史和保护研究问题。这将是第一次使用各种互补的非侵入性成像和光谱技术来研究一个定义明确的集合,以解决具体问题,如绘画材料的性质和来源,绘画的日期和来源,绘画/绘画技术和材料来源之间的关系,绘画的感光度和保护状态。该项目将通过对技术艺术史的深入了解探索贸易和文化交流;为东亚艺术的技术艺术史这一新兴领域做出贡献;展示非侵入性科学检查对理解、欣赏和保存纸质物品的有用性;为这些绘画的未来展览做出贡献;建立一个跨学科研究人员网络,他们对纸质物体的研究有着广泛的共同兴趣。
项目成果
期刊论文数量(6)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Culture and trade through the prism of technical art history: A study of Chinese export paintings
透过技术艺术史的棱镜看文化与贸易:中国出口绘画研究
- DOI:10.1179/204705814x13975704318272
- 发表时间:2014
- 期刊:
- 影响因子:0.8
- 作者:Liang H
- 通讯作者:Liang H
The origins of the Selden map of China: scientific analysis of the painting materials and techniques using a holistic approach
塞尔登中国地图的起源:用整体方法对绘画材料和技法进行科学分析
- DOI:10.1186/s40494-016-0098-x
- 发表时间:2016
- 期刊:
- 影响因子:2.5
- 作者:Kogou S
- 通讯作者:Kogou S
Uncovering the Oppenheimer Siddur: using scientific analysis to reveal the production process of a medieval illuminated Hebrew manuscript
揭秘奥本海默·西杜尔:利用科学分析揭示中世纪希伯来泥金手稿的制作过程
- DOI:10.1186/s40494-018-0179-0
- 发表时间:2018
- 期刊:
- 影响因子:2.5
- 作者:Wijsman S
- 通讯作者:Wijsman S
A holistic multimodal approach to the non-invasive analysis of watercolour paintings
- DOI:10.1007/s00339-015-9425-4
- 发表时间:2015-11-01
- 期刊:
- 影响因子:2.7
- 作者:Kogou, Sotiria;Lucian, Andrei;Liang, Haida
- 通讯作者:Liang, Haida
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Haida Liang其他文献
PRISMS: a portable multispectral imaging system for remote in situ examination of wall paintings
PRISMS:用于远程现场检查壁画的便携式多光谱成像系统
- DOI:
10.1117/12.726034 - 发表时间:
2007 - 期刊:
- 影响因子:0.8
- 作者:
Haida Liang;K. Keita;T. Vajzovic - 通讯作者:
T. Vajzovic
Fourier domain optical coherence tomography for high-precision profilometry
用于高精度轮廓测量的傅里叶域光学相干断层扫描
- DOI:
10.1117/12.827518 - 发表时间:
2009 - 期刊:
- 影响因子:1.2
- 作者:
S. Lawman;Haida Liang - 通讯作者:
Haida Liang
Optical-coherence tomography, extension to imaging of low coherence interferometry
光学相干断层扫描,低相干干涉成像的扩展
- DOI:
10.1117/12.757868 - 发表时间:
2007 - 期刊:
- 影响因子:0
- 作者:
A. Podoleanu;R. Cucu;J. Rogers;J. Pedro;G. Dobre;Marta Gomez;Haida Liang;B. Amaechi;S. Higham - 通讯作者:
S. Higham
Optical coherence tomography: a non-invasive technique applied to conservation of paintings
光学相干断层扫描:一种应用于绘画保护的非侵入性技术
- DOI:
10.1117/12.612591 - 发表时间:
2005 - 期刊:
- 影响因子:8.2
- 作者:
Haida Liang;Marta Gomez Cid;R. Cucu;G. Dobre;B. Kudimov;J. Pedro;D. Saunders;J. Cupitt;A. Podoleanu - 通讯作者:
A. Podoleanu
Experimental evidence of the thermally dominated effect of CW NIR laser irradiation for the restoration of darkened red lead in wall paintings
连续波近红外激光照射对壁画中变暗的铅丹修复的热主导效应的实验证据
- DOI:
10.1016/j.microc.2025.113471 - 发表时间:
2025-05-01 - 期刊:
- 影响因子:5.100
- 作者:
Amelia Suzuki;Iacopo Osticioli;Francesco di Benedetto;Werner Oberhauser;Haida Liang;Francesco d’Acapito;Cristiano Riminesi - 通讯作者:
Cristiano Riminesi
Haida Liang的其他文献
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{{ truncateString('Haida Liang', 18)}}的其他基金
Follow on to "From Lima to Canton and Beyond: An AI-aided heritage materials research platform for studying globalisation through art"
继续“从利马到广州及其他地区:通过艺术研究全球化的人工智能辅助遗产材料研究平台”
- 批准号:
AH/Y006100/1 - 财政年份:2023
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
From Lima to Canton and Beyond: An AI-aided heritage materials research platform for studying globalisation through art
从利马到广州及其他地区:人工智能辅助遗产材料研究平台,通过艺术研究全球化
- 批准号:
AH/V009745/1 - 财政年份:2021
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
AI for DIGILAB: A New Concept in Digital Infrastructure for Heritage Materials Research
AI for DIGILAB:遗产材料研究数字基础设施的新概念
- 批准号:
AH/T013184/1 - 财政年份:2020
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
Innovative condition monitoring of electricity transmission asset - from science based archaeology to monitoring environmental risks on infrastructure
输电资产的创新状态监测 - 从基于科学的考古学到监测基础设施的环境风险
- 批准号:
NE/R014868/1 - 财政年份:2018
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
The Next Generation of Optical Coherence Tomography (OCT) for Art Conservation - in situ non-invasive imaging of subsurface microstructure of objects
用于艺术保护的下一代光学相干断层扫描 (OCT) - 对物体的地下微观结构进行原位非侵入性成像
- 批准号:
AH/H032665/1 - 财政年份:2010
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
Collaborative Doctoral 2010 Grant - Non-invasive methods for in situ assessing and monitoring the vulnerability of rock art monuments
2010 年合作博士补助金 - 用于原位评估和监测岩石艺术纪念碑脆弱性的非侵入性方法
- 批准号:
AH/I50513X/1 - 财政年份:2010
- 资助金额:
$ 10.2万 - 项目类别:
Training Grant
The nature of highly polarised radio sources
高极化无线电源的性质
- 批准号:
ST/H003185/1 - 财政年份:2009
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
Portable remote hyperspectral imaging for in situ examination of wall paintings
用于壁画现场检查的便携式远程高光谱成像
- 批准号:
EP/E016227/1 - 财政年份:2007
- 资助金额:
$ 10.2万 - 项目类别:
Research Grant
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通过贸易重新分配气候冲击的风险和影响
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