Music, Medicine and Dance - exploring what it means to perform

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This proposal brings together a network of practitioners, academics, and educators from music, dance, fine arts, medicine,and science to investigate the role of cross-disciplinary approaches to performance. It will explore what it means to performin different fields and will map the "pathway to performance" across disciplines to increase our understanding of the journeyfrom novice to expert performer. Identifying the challenges that practitioners across different disciplines encounter, andstruggle to address in isolation, will allow us to develop novel solutions drawing on the diverse expertise of the network.Areas of initial investigation will include physicality and embodied knowledge, engaging audiences, managing performanceanxiety, and developing a healthy professional identity as a performer.At first glance scientists and doctors may not obviously be "performers", at least not in the same sense as musicians anddancers. But on closer inspection we see that much of the same expertise is required for their practice. For instance,procedural knowledge - how to apply what you know in order to do - is essential in artistic practice and craft-based skills.Artists integrate subject matter knowledge with practical skills, dexterity, emotional connection and effectivecommunication. Combined, these skills represent the craftsmanship of performance. Medicine, though often perceived tobe a scientific field, sits at an intersection where applied science meets craftmanship and performance. Clinicians must have sound knowledge of disease and how to treat it. But, more than this, doctors too must integrate this knowledge withpractical skills, dexterity, emotional connection and effective communication. To stop bleeding from an artery, a surgeonmust use their anatomical knowledge to identify the problem and their practical expertise to deal with it (tie the vessel with asuture). But they cannot do this alone. Surgery depends on team work. In an emergency, a surgical team must worktogether at breakneck speed in a confined area around the operating table. Their rapid expert movements in this confinedspace have a choreographic elegance and precision. Yet this co-ordination of movement develops over time - thoughexpected, it is not explicitly taught. Clinicians may benefit greatly from perspectives used in the artistic "pathway toperformance". At the same time, we will identify aspect of performance development in dance and music which may benefitfrom clinical perspectives by viewing arts and music through a medical lens.Inspecting the practices of other disciplines brings into focus the unseen expertise behind our own. Recognising andsupporting the development of these unseen skills has the potential to transform the perspective of practitioners, fromlearner to professional, and support their journey along the pathway to performance.This proposal is a joint initiative between the Centre for Engagement and Simulation Science at Imperial College London,the Royal College of Music/Imperial Centre for Performance Science and the Centre for Dance Research at CoventryUniversity. It will bring together academics and educators from these three institutions as well as non-academic expertpractitioners. Members will exchange ideas in a series of six themed workshops. They will identify aspects within their owncraft of greatest potential benefit to other disciplines. Drawing on this network, core-project members will develop and pilotcross-disciplinary educational interventions aimed at supporting students on their "pathway to performance". A mixedmethods approach will investigate the value of this type of learning. Outcomes from the research will be disseminatedpublicly and at an institutional level to enhance our understanding of cross-disciplinary education and promote thedevelopment of further cross-disciplinary initiatives.