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Research of iconographic image-ized movement of idea in Western modernization, or image thinking

Research of iconographic image-ized movement of idea in Western modernization, or image thinking
西方现代化中图像化的图像化思想运动或图像思维研究
批准号:
10610502
负责人:
HARA Kenji
金额:
$1.47万
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1998
资助国家:
日本
项目状态:
已结题
起止时间:
1998 至 1999

项目摘要

项目成果

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中文摘要
翻译
为了解决文艺复兴后观念的图像化运动,各种图像化的图像首先被数据库。作为对这一数据库进行有效实际应用的关键,开展了人工洞穴分析和涉及歌剧院的话语研究。此外,在世纪末关系中,“致命的女人”形象和“天使”形象被个人化。此外,它还参与分析了17世纪荷兰静物的滑稽形象和现实主义形象的同质性。从这里获得了一种通过娱乐西方开放空间和图像形象中的新世界来发展关系的可能性。此外,通过对歌剧《图兰朵》《爱情大歌剧2》的研究,以期将相似之处视为《旧约》中天使与雅各布交战的精彩场面,以期在两位英雄等…中互换奥秘此外,德拉克鲁瓦和高更的车牌和文艺复兴时期的坦克雷迪车牌是结合在一起的。它详细阐述了这一点,并能够清楚地表明,一男一女的对抗具有通过与天使的痛苦搏斗而共同命运的结构。另一方面,在瓦格纳的专著《观光浪漫主义是真实的》中,也进行了19世纪热带板块、石窟板块、全景板块、游乐园板块和富丽堂皇的花园板块相结合的审判。在对语义神话的深入解读中,图像图像研究开启了瓦格纳关于光学的全新面貌,完全不同于它所等待的关于瓦格纳的传统理论。此外,文学媒介研究理论的指导性是通过对被称为荷马的一种被称为巴洛克、里尔克和约瑟夫·科苏斯的象征的大跨度的东西诗体裁中的东西和语言的关系的思考而揭示出来的。这样,当这些个体研究的质量相当大的时候,就奠定了将图像图像研究作为一种标准范式发展的基础。较少
英文摘要
In order to solve iconographic image-ized movement of the idea after the Renaissance, various iconographic images were database-ized first. As a key, which carries out effective practical use of this database-ized thing, analysis of artificial caves and the research about the discour involving the Opera theater were developed. Moreover, in end-of-the-century relation, way the image of "femme fatal" and the image of an "angel" were individualized was followed. Moreover, it had a hand in the analysis of the homogeneity of the iconographic image of buffoonery and the realism of the Netherlands still life in the 17th century. A possibility of developing relation by the entertainments of a Western open space and the new world in iconographic image was obtained from here. Moreover, by the study on opera Turandot "the grand opera of love 2", in order to regard similarity as the wonderful scene of the Old Testament where an angel fights with Jacob, to an exchange of a mystery in two heroes etc … More ., the plate of Delacroix and Gauguin and the plate of the "tankredi" of the Renaissance were combined. It elaborated on this and it was able to be shown clearly that confrontation of a man and a woman has the structure of the mutual fate by the grapple with an angel funadamentally. On the other hand, also in the monography on Wagner "sight-seeing romanticism is real", the trial which combines the tropical plate in the 19th century, a grotto plate, a panorama plate, an amusement-park plate, and a regal garden plate was performed. In the depth of a semantic myth interpretation, the new aspect of affairs of Wagner on optics completely different from the conventional theory on Wagner for which it has waited was opened by iconographic image research. Moreover, the directivity of a study-of-literature-media theory was unearthed by thinking of the relation of the "thing" and the "language" in a genre "things poetry" by huge span called Homer, the emblem of the baroque, Rilke, and Joseph Kosuth. In this way, when mass was substantial in these individual researches, the foundation which develops the iconographic image research as a paradigm of a criterion was built. Less
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原 研二: "市場に群れる道化たち・あるいは豊かさの強迫"バッハ全集 (小学館). 6巻. 80-91 (1997)
Kenji Hara:“小丑涌向市场或富裕的强迫”巴赫全集(小学馆)第 6 卷 80-91(1997 年)。
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原 研二: "オペラ座のグロッタに抱かれて"「パリ篇」 (同朋社). 45-51 (1998)
Kenji Hara:“被歌剧院的 Grotta 拥抱”“巴黎版”(Dohosha)45-51(1998)。
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