Change of Galileo's art of persuasion in the sciences dispute and relations with language representation of the baroque period

伽利略在1613年的《致卡斯泰利的信》中分析了《圣经》与自然哲学的关系，证明哥白尼体系比亚里士多德托勒密体系更有说服力，但也存在着逻辑上的侵略性，并卷入了一场宗教争论。随着写作活动从《试金者》发展到《两大世界体系的对话》，他的说服艺术也逐渐演变为一种既能用逻辑战胜敌人，又能用“寓言”吸引读者的艺术。世纪上半叶，一种重视“感觉”的文化氛围正在形成。如伽利略把“感官体验和必要的论证”作为研究自然哲学的方法，康帕内拉从万物皆有感官的角度来解释自然，马里诺把通过五种感官获得的愉悦作为诗歌的主题，马里诺在《阿多尼斯》中称赞伽利略是为“感官”服务的新仪器的发明者。在这首诗中，两个意大利人被描绘成一个新时代的象征，哥伦布是海洋的航海家和地理的征服者，伽利略是天空的航海家和自然哲学的征服者。因此，这项工作。被认为是一个巴洛克式的变化，诗歌焦虑的意大利，调用意大利伟大的人，如彼得拉卡的“意大利米亚”包括在坎佐尼埃和莱奥帕尔迪的“广告安杰洛迈”包括在坎蒂。当我考虑到马里诺发表了这一工作在法院在巴黎，他去了邀请玛丽亚德'美第奇，我可以把它与一个重要的工作的一个重要步骤的“querelle德古人在德现代”。这证明了伽利略的存在是世纪欧洲的真实事件。

Galileo analyzed the relation between the Holy Bible and natural philosophy in the "Letter to Castelli" of 1613, and he proved that Copernican system is more convincing than the Aristotle Ptolemaic system, but there was also an aggressiveness of the logic, and he was involved in a religious dispute. As writing activity was developing from The Assayer to Dialogue concerning the Two Chief World Systems, his art of persuasion was evolving into the art that was able not only to defeat an enemy logically, but also to draw a reader with "an allegory".There was a cultural climate which regarded "senses" as important in the first half of the 17th century. For example, Galileo regards "sensate experiences and necessary demonstrations" as method for investigation of natural philosophy, Campanella explains nature from a viewpoint that everything has senses, and Marino takes the pleasure through the five senses as his poetry subject.Marino praised Galileo as the inventor of new apparatus who serves "senses" in his Adonis. In this poem two Italians are drawn as symbols in a new epoch, Columbus a navigator of the sea and geographical conqueror and Galileo another navigator of the heavens and conqueror of the natural philosophy. And consequently this work. is considered as a baroque variation of the poetry anxious for Italy that invokes the Italian great persons, such as Petrarca's "Italia mia" included in Canzoniere and Leopardi's "Ad Angelo Mai" included in Canti. When I consider that Marino published this work at the Court in Paris where he was gone by invitation of Maria de' Medici, I may place it with an important work of a precursory step of the "querelle des Anciens at des Modernes". This is a proof that Galileo's existence was a true event in 17th century Europe.