Transatlantic : How the Literary Imagination Creates the Intenelationship between Britaidi and America

根据2006年制定的研究计划，我们已经收集了有关跨大西洋问题的材料，并在出版方面完成了以下工作。Sasaki写了(1)罗曼·波兰斯基根据狄更斯的小说《雾都孤儿》改编的电影，(2)切斯特顿对狄更斯的经典研究，注意到切斯特顿强调狄更斯的跨大西洋经历，即1842年的美国之旅；(3)埃德蒙·威尔逊对狄更斯的著名研究引起了菲利普·柯林斯和q·d·里维斯等英国评论家的敌意反应（根据在阿姆斯特丹一次国际会议上宣读的论文）；(4)最近对狄更斯的一项研究，指出一位美国评论家由于文化差异而难以理解狄更斯。若岛若岛在他的研究中拓宽了“跨大西洋”的概念，并从翻译的角度论述了弗拉基米尔·纳博科夫小说《洛丽塔》的“跨文化”方面；(2)论鸟田重雄与约翰·霍克斯的跨太平洋文化交流；(3)对纳博科夫进行了一本书的研究，(4)编辑了纳博科夫对普希金的《尤金·奥涅金》的注释翻译，说明它是如何受到法语翻译的影响的。他还组织了一场关于“世界主义与英美文学”的研讨会，阅读了一篇关于两位当代小说家的论文，一位在德国的俄罗斯人，一位在美国的俄罗斯人，提到了他们与纳博科夫的不同之处。

According to the research plan set up in 2006, we have gathered material on problems relating to the transatlantic, and have accomplished what follows in terms of publication.Sasaki wrote (1) on Roman Polanski's film based on Dickens's novel Oliver Twist, (2) on Chesterton's classic study of Dickens, noting Chesterton's emphasis on Dickens's transatlantic experience, namely his travel to America in 1842; (3) on Edmund Wilson's famous study of Dickens which provoked hostile reactions from British critics such as Philip Collins and Q. D. Leavis (based on paper read at an international conference in Amsterdam); (4) on a recent study of Dickens, pointing out an American critic's difficulty of understanding Dickens because of cultural differences.Wakashima, in his research, has broadened the notion of "transatlantic" and wrote (1) on the “transcultural" aspect of Vladimir Nabokov's novel Lolita in terms of its translation; (2) on the transpacific cultural exchange between Shigeo Tobita and John Hawkes; (3) a book-length study on Nabokov, and (4) edited an annotated translation of Nabokov's annotated translation of Pushkin's Eugene Onegin, showing how it is influenced by the French translation. He also organized a symposium on "Cosmopolitanism and British and American Literature", reading a paper on two contemporary novelists, a Russian in Germany and a Russian in America, with reference to their difference from Nabokov.