A Study of Ikeda Kogiku, a Shiga Naoya's disciple, and Her War Years-Nara, Literature, and Politics

本研究以从大正14年到昭和13年居住在奈良的志贺直屋的弟子池田小菊为研究对象，考察了从昭和初期到战后的关西出版业、出版界和女作家，以及战后民主主义的开始。我对志贺直弥手稿的分析，揭示了志贺直弥在奈良期间和战争年代奈良的一个侧面。我通过调查zenkoki -shobo出版的“女作家系列”，展示了女作家网络是如何运作的，以及池田在该系列的出版中扮演的角色。本研究还包括池田材料的数字化图像，例如可以告诉我们战争期间审查制度的厨房校样，以及池田参与的妇女协会公报《Fujin-Nara》（Women Nara）杂志。

This study focuses on IKEDA Kogiku, a disciple of SHIGA Naoya, who lived in Nara from Taisho 14 to Showa 13, and examines the publishing industry and publications in Kansai and women writers from early Showa to the postwar period, and the beginning of postwar democracy. My analysis of her manuscripts illuminates one aspect of Shiga Naoya during his stay in Nara and Nara in the war years. By investigating “Women Writer’s Series” published by the Zenkoku-shobo, I demonstrate how the network of women writers functioned and the role Ikeda played in publishing the series. This study also includes digitalized images of Ikeda’s materials, such as galley proofs, which can tell us about censorship during the war, and magazine Fujin-Nara (Women Nara), a bulletin of the women’s society, which Ikeda was involved in.