Sahib Ram's adaptation of the the Ahlaq-i Muhsini. A case study of Indo-Persian cultural transferin 19th century India (II).

Sahib Ram 对《Ahlaq-i Muhsini》的改编。

• 批准号: 289984679
• 负责人: Professor Dr. Jürgen Hanneder
• 金额: --
• 依托单位: Fachgebiet Indologie und Tibetologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/289984679?language=en
• 关键词: Sahib; Ram; adaptation; Ahlaq; Muhsini.

The Indo-Persian cultural area, which flourished during the Moguls and remained intact well into the colonial age, was characterized by an overlapping of various cultures while expressing itself in art, architecture, religion, and literature, but importantly in the multiliguality of its protagonists. Recently, within translations studies, research on processes of exchange or transfer has intensified and gone beyond the mere study of the details of translations. Central to this were translations or adaptations of classical Sanskrit texts into Persian. For that reason the discovery of a translation produced in 19. century Kashmir, in which one important specimen of a Persian mirror for princes was turned into Sanskrit, is exciting. Sahib Ram (died 1872), a Sanskrit scholar and secretary (munsi) at the court of Ranbir Singh (1830-1885), produced an adaptation of Husain Vaiz Kasifis Ahlaq-i Muhsini (15th century). Kasifi was one of the most popular and well-known authors of the Persian literary canon in India and Middle Asia and figures prominently on the reading lists of British colonial officers.In the extensive Sanskrit translation with its more than 7000 verses Sahib Ram uses a variety of literary techniques of adaptation, which makes his text and auto-commentary a mine of information on translational technique. But the text also yield unique materials for studying the acculturation of Islam in 19th century Sanskritic culture. For the first time we find attempts to integrate Islam and its revelation into a Hindu system. It is the aim of the project to edit selected chapters of the Vīraratnaśekharaśikhā with its commentary, translate them and present several comparative analyses.

印度-波斯文化区在莫卧儿王朝时期蓬勃发展，并完好无损地进入殖民时代，其特点是各种文化的重叠，同时表现在艺术、建筑、宗教和文学上，但重要的是其主角的多元性。近年来，在翻译研究中，对交换或迁移过程的研究已经超越了对翻译细节的研究。其核心是将古典梵语文本翻译或改编成波斯语。由于这个原因，19年的翻译被发现。在19世纪的克什米尔，一个重要的波斯王子镜子标本被变成了梵文，这是令人兴奋的。Sahib Ram（死于1872年）是一位梵语学者，也是Ranbir Singh（1830-1885）宫廷的秘书（munsi），他改编了Husain Vaiz Kasifis Ahlaq-i Muhsini（15世纪）的作品。卡西菲是印度和中亚最受欢迎和最知名的波斯文学经典作家之一，也是英国殖民官员阅读清单上的重要人物。在大量的梵语翻译中，有7000多节经文，Sahib Ram使用了各种各样的文学改编技巧，这使得他的文本和自动注释成为翻译技术的信息矿井。但这些文本也为研究伊斯兰教在19世纪梵语文化中的文化适应提供了独特的材料。我们第一次发现有人企图将伊斯兰教及其启示融入印度教体系。该项目的目的是编辑Vīraratnaśekharaśikhā的选定章节及其评论，翻译它们并提出若干比较分析。