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"Thematic Method" Research on Art Education 〜Focusing on Relationship between Themes and Thematic Expression〜

"Thematic Method" Research on Art Education 〜Focusing on Relationship between Themes and Thematic Expression〜
美术教育的“主题法”研究〜关注主题与主题表达的关系〜
批准号:
11680247
负责人:
TACHIHARA Yoshikazu
金额:
$1.28万
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
1999
资助国家:
日本
项目状态:
已结题
起止时间:
1999 至 2000

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中文摘要
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英文摘要
In this paper, using the creative experiences of young people as my prime target of research, I posed the following question : What should a person do to discover oneself anew and feel the satisfaction of expanding within oneself through the act of drawing/painting a picture? The question is one so to speak of what method can be adopted to define an undefined self and extend that self further. The self I speak of here is self-awareness reflecting the relationship with others and the world.The objective of this research was a broad line grasp of the recovery of subjectivity in young people and the establishing of the self, from the perspective of deployment of a coherent integrated theory, while clarifying the special characteristics of the structures and dynamism of thematic expression (expression of thematic consciousness through form). I defined the workings of art education that realize this objective as "education using 'the relationship between themes and thematic expression'." This methodology furthermore is unique in terms of providing meaning as a starting point for extracting the themes of one's own life and of the world, and in view of the weighting toward themes I have christened it simply the "thematic method."The main point of this paper was the verification of the effectiveness and clinical significance of this method. The "expression in physical form" of a consciousness of "subject matter" motivated by theme, and, in that process, albeit with conflict, the experience of being receptive to the subject matter successfully brought to life on the picture plane is, in other words, something that can only be described as an attempt to extract an educational scenario that lies beneath the axis--the appreciation of its meaning in terms of the formation of the human being.
期刊论文(21)
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立原慶一: "題材「夢の色模様」における題材論的方法の研究"美術教育学. 第22号. (2001)
立原敬一:“‘梦的色彩图案’主题的主题方法研究”,美术教育第22期。(2001年)
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通讯作者:
立原慶一,熊谷岳哉: "題材「世界の仲間を救え」の実践的研究"宮城教育大学紀要. 第35巻. (2001)
Keiichi Tachihara,Takeya Kumagai:“关于“拯救世界各地的朋友”主题的实践研究”宫城教育大学公告第 35 卷(2001 年)。
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TACHIHARA Yoshikazu, KUMAGAI Takeya: "Empirical Research Based on the Theme "Save Our Friends Around the World : Making Posters Using Collage Techniques""BULLETIN OF MIYAGI UNIVERSITY OF EDUCATION. VOL.35. (2001)
立原义和、熊谷竹也:《基于“拯救世界各地的朋友:利用拼贴技术制作海报”主题的实证研究》《宫城教育大学学报》。
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TACHIHARA Yoshikazu: "A View of Comparative Thematic Structure and Setting Themes-The Exemplary Themes "Landscape Seen from a Window" and "A Cold Landscape"-"THE JOURNAL FOR THE JAPAN ASSOCIATION OF COLLEGE ART EDUCATION. NO.32. (2000)
立原义一:“比较主题结构和设定主题的观点——典型主题“窗外看到的风景”和“寒冷的风景”——《日本高等艺术教育协会杂志》。
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15
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