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HISTORICAL RESEARCH ON THE ANALYTICAL METHODOLOGY

分析方法的历史研究

基本信息

批准号：
12610042
负责人：
TANAKA Jyun
金额：
$ 2.18万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

As for this research, the following results were gained about the the methodology of image and its memory in the 20th century.1.The cultural environment of Hamburg in the second half of the 19th century, where Aby Warburg who was the member of the German leading Jew banker family grew, was investigated and analyzed. And the thought formation process of Warburg who mainly performed researches for the fine arts of the Italian Renaissance was made clear.2.Based on his writings and memoranda, Warburg's iconological methodology was reconstructed and the originality of his method was verified by comparison with other researches on the same fine-arts work.3.The iconological researches including the works of Panofsky in the Warburg Institute were analyzed from the methodological standpoint, and comparison with Warburg's thought was performed not in individual art history-analysis but in the methodological dimension. Furthermore, the process of institutionalization of iconology as an academic d … More iscourse was made clear in activity of the Warburg school in Germany from the 1920s to the 1930s and thereafter in London.4.By comparison between Warburg's thought, Ludwig Klages's "soul as a spiritual adversary", and the psychoanalysis of Sigmund Freud and Carl Gustav Jung, the trend of thoughts in the German cultural sphere from the tinning point of the centuries to the 1930s, especially about the "survivals of antiquity" in the modern age and about image memory, was historically analyzed from a viewpoint of an image theory.As a result, the big role of the mythological images in the German thoughts of these epochs including the Renaissance of Bachofen's theory of Mutterrecht (Mother Right), to which Klages made a great contribution, was found out. Moreover, by comparison between Warburg's thoughts and Walter Benjamin's "Passages Werk", these both had Goethe's theory of nature, especially morphology, as their background, and it became clear that the same tendency is found out broadly in the thoughts of the same epoch. Less

本研究在20世纪影像记忆方法论方面取得了以下成果：1.考察分析了德国犹太银行家家族成员阿比瓦尔堡成长的世纪后半叶汉堡的文化环境。第二部分，以瓦尔堡的著作和备忘录为基础，分析了沃伯格对意大利文艺复兴时期美术的研究，并对沃伯格的思想形成过程进行了梳理。本文对瓦尔堡的图像学方法进行了重构，并通过与同类研究的比较，验证了华尔堡图像学方法的独创性。3.从方法论的角度分析了瓦尔堡研究所的图像学研究，与瓦尔堡思想的比较不是在个别的艺术史分析上，而是在方法论的维度上。此外，图像学作为一门学术学科的制度化过程也是一个历史的过程。 ...更多信息 4.通过对瓦尔堡思想、克拉奇的“灵魂是精神的对手”与弗洛伊德、荣格的精神分析学的比较，分析了世纪之交至30年代德国文化界的思潮，指出了瓦尔堡思想的“灵魂是精神的敌人”，并指出了华宝思想的“灵魂是精神的敌人”，指出了华宝思想的“灵魂是精神的敌人”。特别是关于近代“古代遗民”和形象记忆的神话形象，从形象理论的角度进行了历史分析，从而发现了神话形象在包括克拉格斯所贡献的巴霍芬的母权理论的复兴在内的各个时代的德国思想中所起的巨大作用。此外，通过比较瓦尔堡与本雅明的“段落工作”，可以发现二者都以歌德的自然理论，特别是形态学理论为背景，而且在同一时代的思想中也普遍存在着相同的倾向。少