A historical Investigation on the Representation of "Preservation of Tradition" and the Transformation of regional Culture in Japanese Folksong Culture

日本民歌文化中“传统保存”的表征与地域文化变迁的历史考察

• 批准号: 16602002
• 负责人: WATANABE Hiroshi
• 金额: $ 2.46万
• 依托单位: The University of Tokyo
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16602002/
• 关键词: Folksongs of Japan; Invention of Tradition; Preservation of traditional performing Arts; Tourism; Recording Media; Recreation Movements; Memory of Place; Cultural Resources Studies; 地域アイデンティティ

The aim of this study is to clarify how "tradition" and its relationship with regional culture is represented concerning the "preservation" of traditional performing arts, especially in the realm of "folksongs" of Japan. Initially I planned to reveal them from the viewpoint of locality using the method of aural interview and investigation of regional literature. But realizing the importance of some elements (recording media, tourist industry, cultural movements etc.) functioning as mediator in the formation process of these representations, I've introduced new method of historical analysis of the process and mechanism of this formation and the dynamics underlying them. Thus I've tried to comprehend the role played by these mediating elements in various phases of music culture of Japan since Meiji Era, and develop arguments on some topics concerning Japanese folksongs with reference to it. Above all, I've revealed the role played by the "travel-boom" in the first decade of Showa era, through which folksongs became considered as "regional culture", which had been considered as "national culture" since Meiji era. But at the same time, I've revealed that the notion that considers folksong as "national culture" survived even into the postwar era and enabled peculiar kind of preservation and transmission of folksongs, as opposed to the ones we've accustomed to. My accomplishments of this project will be published as an independent book sometime this year, including so far unfinished manuscripts.

这项研究的目的是阐明“传统”及其与地域文化的关系在传统表演艺术的“保存”方面是如何表现的，尤其是在日本的“民歌”领域。最初，我打算用听觉访谈和地域文学调查的方法，从地方性的角度来揭示它们。但意识到一些元素(记录媒体、旅游业、文化运动等)的重要性。作为这些表征形成过程的中介者，我引入了新的历史分析方法来分析这种表征的形成过程、机制及其背后的动力。因此，笔者试图理解这些中介元素在明治时代以来日本音乐文化各个阶段中所起的作用，并以此为参照展开对日本民歌相关话题的论证。最重要的是，我揭示了昭和时代第一个十年的“旅游热潮”所起的作用，通过它，民歌被认为是自明治时代以来一直被视为“民族文化”的“地域文化”。但与此同时，我也透露，将民歌视为“民族文化”的观念甚至延续到了战后时代，并使民歌得以特殊的保存和传播，而不是我们已经习惯的民歌。我这个项目的成果将在今年的某个时候作为一本独立的书出版，包括到目前为止尚未完成的手稿。

项目成果

ベートヴェンのもう一つの顔

贝多芬的另一张脸

• 发表时间: 2007
• 期刊: ピアノはなぜピアノになったのか(単行本、大阪大学出版会刊)
• 作者: WATANABE;Hiroshi;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕
• 通讯作者: 渡辺 裕

モーツァルトを育むのは誰?

谁培养了莫扎特？

• 发表时间: 2006
• 期刊: アステイオン 65
• 作者: WATANABE;Hiroshi;渡辺 裕
• 通讯作者: 渡辺 裕

The "Sono Sheet" reconsidered : A Cultural Resources Studies Approach

重新思考“索诺表”：文化资源研究方法

• 发表时间: 2005
• 期刊: Cultural Resources Studies vol. 3
• 作者: WATANABE;Hiroshi
• 通讯作者: Hiroshi

「民謡の旅」の誕生-松川二郎にみる昭和初期の「民謡」表象

“民歌之旅”的诞生——松川二郎眼中的昭和初期“民歌”再现

• 发表时间: 2007
• 期刊: 美学芸術学研究(東京大学美学芸術学研究室紀要) 25(印刷中)
• 作者: WATANABE;Hiroshi;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕
• 通讯作者: 渡辺 裕

「日本民族舞踊シリーズ」の時代-民俗芸能の「洋風化」をめぐる文化史-

《日本民间舞蹈系列》的时代——围绕民间表演艺术“西化”的文化史——

• 发表时间: 2004
• 期刊: 展覧会図録『夢みるタカラヅカ展』(サントリーミュージアム[天保山])
• 作者: WATANABE;Hiroshi;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕;渡辺 裕
• 通讯作者: 渡辺 裕