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Scribal culture in Italy, 1450-1650

意大利的抄写文化，1450-1650 年

基本信息

批准号：
AH/G01616X/1
负责人：
Filippo De Vivo
金额：
$ 1.56万
依托单位：
Birkbeck, University of London
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2009
资助国家：
英国
起止时间：
2009 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FG01616X%2F1
关键词：
Scribal culture Italy 1450 1650

项目摘要

Over the last generation, a revolution has changed our understanding of the transmission of culture in the early modern period. It began with the development of new approaches to the history of the printed book, but has now moved beyond the press to show the continued importance of manuscripts well into the so-called 'Age of Gutenberg'. Italian studies have played a leading part in this research.Yet, while we have fine studies of individual aspects of scribal culture, there is no sense that all were part of a larger phenomenon. By contrast, our project has three interconnecting aims. 1) To understand and analyse professional and amateur scribal activities - the production, distribution, reception and uses of handwritten texts at different social levels - as part of a phenomenon that can be termed scribal culture, and to shed light on its relationship to print and oral culture. 2) To recreate a sense of the experiences of writing and reading manuscripts, by fostering reflection on the material nature of textual culture. 3) To seek the contacts and continuities between the production of such different documents as poetry, treatises and newsletters.This project brings together international scholars from different disciplines (including literary history, cultural history and bibliography) together with librarians, palaeographers and curators. Another objective is to stimulate dialogue and collaboration between British and Italian scholarship.The project consists of six workshops covering a wide range of fields: 1) the material production of manuscripts and its domestic or public settings; 2) poetry, theatre and music; 3) science, medicine and philosophy; 4) the social impact and diffusion of manuscripts; 5) the relationship between manuscript and print; 6) the online cataloguing of manuscripts. All workshops are intended for academics, librarians, curators and postgraduates with interests in Renaissance culture in a broad sense.We also intend to display practical examples of manuscripts or artefacts. For this reason, each workshop includes academics and librarians/curators and is staged in a collection or library. The workshops will be co-ordinated, advertised and fully described through a website. It is planned to publish articles based on selected papers in the journal Italian Studies.The project will act as the springboard for a larger project whose aims include: the organization of an international conference; one or more publications of essays based on conference papers; the development of an online resource for the study of Italian manuscripts; the cataloguing of political manuscripts in the British Library. To help us to plan for these objectives, we have included in the workshops presentations from two research centres, both currently funded by the AHRC for the study of English manuscripts: the Centre for Editing Lives and Letters (Queen Mary, University of London), and Scriptorium: Medieval and Early Modern Manuscripts Online (University of Cambridge). We include a scoping project for the BL catalogue; results are to be presented at workshop 6.The workshops will be held in six centres in four cities. They will be hosted by museums and libraries so that they are partly focused around the exploration of material evidence relating to the production or circulation of manuscripts, ranging from authorial to secretarially reproduced documents and to instruments for writing.Workshop 1: Material culture and the production of manuscriptsVictoria & Albert Museum, LondonWorkshop 2: Poetry, theatre and musicWren Library, Trinity College, CambridgeWorkshop 3: Science, medicine and philosophyWellcome Library, LondonWorkshop 4: The impact and diffusion of manuscriptsCentre for the Study of the Book, Bodleian Library, OxfordWorkshop 5: Manuscript and printJohn Rylands University Library, Manchester Workshop 6: Cataloguing political and other manuscripts British Library, London.

在过去的一代人中，一场革命改变了我们对现代早期文化传播的理解。它开始于印刷书籍历史的新方法的发展，但现在已经超越了新闻界，以显示手稿的持续重要性，直到所谓的“古腾堡时代”。意大利研究在这一研究中发挥了主导作用，然而，尽管我们对抄写员文化的个别方面进行了很好的研究，但没有意义说所有这些都是一个更大现象的一部分。相比之下，我们的项目有三个相互关联的目标。1)了解和分析专业和业余的抄写活动-在不同的社会阶层的手写文本的生产，分配，接收和使用-作为一种现象，可以被称为抄写文化的一部分，并阐明其与印刷和口头文化的关系。2)通过促进对文本文化的物质本质的反思，重新创造一种写作和阅读手稿的体验。3)寻求诗歌、论文和通讯等不同文献的生产之间的联系和连续性。该项目汇集了来自不同学科（包括文学史、文化史和目录学）的国际学者，以及图书馆员、古学家和策展人。另一个目标是促进英国和意大利学术界之间的对话和合作，该项目包括六个讲习班，涉及广泛的领域：1）手稿的物质生产及其家庭或公共环境; 2）诗歌、戏剧和音乐; 3）科学、医学和哲学; 4）手稿的社会影响和传播; 5）手稿和印刷品之间的关系;（6）在线编目。所有的工作坊都面向对文艺复兴文化感兴趣的学者、图书馆员、策展人和研究生。我们还打算展示手稿或手工艺品的实例。出于这个原因，每个研讨会都包括学者和图书馆员/策展人，并在收藏或图书馆中举办。这些讲习班将通过一个网站进行协调、宣传和充分介绍。计划在《意大利研究》杂志上发表根据选定论文撰写的文章，该项目将作为一个更大项目的跳板，该项目的目标包括：组织一次国际会议;出版一份或多份根据会议论文撰写的论文;开发一个研究意大利手稿的在线资源;对大英图书馆的政治手稿进行编目。为了帮助我们计划这些目标，我们在研讨会上介绍了来自两个研究中心的演讲，这两个研究中心目前都由AHRC资助，用于研究英语手稿：编辑生活和信件中心（玛丽女王，伦敦大学）和Scriptorium：中世纪和早期现代手稿在线（剑桥大学）。我们包括一个BL目录的范围项目;结果将在研讨会6上介绍。研讨会将在四个城市的六个中心举行。研讨会将由博物馆和图书馆主办，以便部分侧重于探索与手稿的制作或流通有关的物证，从作者到秘书复制的文件以及写作工具。研讨会1：物质文化与手稿的制作伦敦维多利亚和阿尔伯特博物馆研讨会2：诗歌、戏剧和音乐剑桥Trinity学院雷恩图书馆研讨会3：科学、医学和哲学伦敦威康图书馆研讨会4：手稿的影响和传播牛津大学博德利图书馆图书研究中心研讨会5：手稿和印刷约翰·莱兰兹大学图书馆，曼彻斯特研讨会6：政治和其他手稿的编目伦敦大英图书馆。