Staging work in the corporatist state.Visual propaganda in Fascist Italy and in Peronist Argentina in a transnational perspective (1922-1955)

在经济危机的背景下，欧洲的威权政权在社团主义的启发下，对其经济和劳工制度进行了深远的改革。法西斯的“STATO Corporation”为许多其他国家的经济改革树立了榜样。自20世纪30年代以来，当社团主义模式开始在拉丁美洲传播时，阿根廷总统胡安·多明戈·佩隆在很大程度上借鉴了意大利的先例。在这两个政权的政治宣传中，不仅经济改革，而且意识形态都处于中心舞台。意大利法西斯主义和阿根廷贝隆主义的历史研究普遍忽视了对工作和工人的视觉宣传。视觉宣传首次广泛利用现代大众媒体的可能性，成为传播新的社团主义劳动意识形态并在民众中获得共识的工具。在对法西斯主义意大利和贝隆主义阿根廷宣传中的工作和工人的视觉表现进行跨国比较中，该项目旨在分析宣传与劳工改革之间的相互关系。此外，根据意大利法西斯主义和贝隆主义中的革命和民族主义话语，应审查视觉宣传与当地肖像传统以及当代全球趋势的关系。考虑到经济和社会概念的转移及其宣传性表现，该项目旨在制定一种工作的比较政治肖像。因此，将探讨作为这两个制度的重要稳定器的社团主义模式的宣传方式中的国家特殊性和跨国纠葛。

Against the background of the economic crisis, authoritarian regimes in Europe initiated far-reaching reforms of their economic and labor systems inspired by corporatism. The Fascist 'stato corporativo' served as a model for economic reforms in many other countries. When the corporatist model came to spread in Latin America since the 1930s, the Argentine president Juan Domingo Perón drew significantly on the Italian precedent. Not only the economic reforms but also the ideology was at the center stage of the political propaganda in both regimes. The visual propaganda of work and workers has been widely neglected by historical research on Italian Fascism and Argentinian Peronism. By making extensive use of the possibilities of the modern mass media for the first time, visual propaganda served as an instrument to diffuse the new corporatist labor ideology and to obtain consensus among the population.In the transnational comparison of visual representations of work and the worker within the propaganda of Fascist Italy and Peronist Argentina, the project aims at anaylzing the interrelation between propaganda and labour reforms. Furthermore, in the view of the revolutionary and nationalist discourse in Italian Fascism and Peronism, the visual propaganda shall be examined for their relationship with local iconographic traditions as well as contemporary global trends. Taking into consideration the transfer of economic and social concepts and their propagandistic representation, the project aims at elaborating a comparative political iconography of work. Thereby, national specifics and transnational entanglements in the propagandistic mise-en-scène of the corporatist model as an important stabilizer of both regimes will be explored.