Edition of Songs in Regenbogen's 'Brief- und Grundweise' and 'Grauer Ton'

该项目从三个语料库（“Töne”，这意味着从中世纪盛期的Sangspruch传递到中世纪晚期的Meisterlied的格律和音乐小节）中编译了一个版本的“Meisterlieder”，以诗人Regenbogen的名义（约1300年）交付。该项目是继2015年6月在雷根博根的兰格镇出版的《Meisterlieder Edition》的dfg项目之后出版的。这三个“Töne”包括Graue Ton， Grundweise（或Kurzer Ton）和Briefweise（或prengfweise），这可以追溯到最古老的手稿，可能是雷根伯根本人。有了这三个语料库，Regenbogen“Töne”中的匿名歌曲版本将完成。Regenbogen的“Töne”属于最广泛的“Meisterlieder”类型，但它们尚未被系统地研究过。在Regenbogen的情况下，没有可靠的早期传播，因此几乎没有关于真实性的讨论标准。相反，提供关于他的13个“Töne”中的Meisterlieder的完整访问是有用的，这些内容被广泛传播：来自所有德语国家的62个手稿和印刷书籍中大约有1500个匿名节，以及190个Meisterlieder中的1763个节，作者的名字众所周知，其中一些是亲笔签名的（如Hans-Sachs-manuscript Berlin， sdb - pk, mgq 414）。与前一个项目一样，上述三个“Töne”中的匿名Meisterlieder将以印刷和数字形式进行编辑，后者将通过dfg项目的数据库Lyrik des deutschen Mittelalters ' （LDM）进行编辑。结合Nils Hansen （Akademie der Wissenschaften Göttingen）的论文项目，“Töne”中所有归于Regenbogen的匿名Meisterlieder将在现代版本中可访问，从而提供一个完整的Meistergesang语料库。

The project compiles an edition of „Meisterlieder“ from three corpora („Töne“, which means the metrical and musical stanzaforms which were passed on from the High Medieval Sangspruch to the Late Medieval Meisterlied) delivered under the name of the poet Regenbogen (around 1300). The project follows issues from the DFG-project ‚Edition of Meisterlieder in the ‚Langer Ton‘ of Regenbogen‘ (since June 2015). These three „Töne“ include the ‚Graue Ton‘, the ‚Grundweise‘ (or ‚Kurzer Ton‘) and the ‚Briefweise‘ (or ‚Prüfweise‘), which goes back to the oldest manuscripts and probably to Regenbogen himself. With these three corpora, the edition of anonymous songs in the „Töne“ of Regenbogen will be complete. The „Töne“ attributed to Regenbogen belong to the most widespread type of „Meisterlieder“, but they have not yet been systematically worked on. In the case of Regenbogen, there is no reliable early transmission, and therefore almost no criterion for discussions about authenticity. Instead, it is useful to provide complete access to the Meisterlieder in the 13 „Töne“ attributed to him, which were widely spread: There are approximately 1500 anonymous stanzas in 62 manuscripts and printed books from all over the German speaking countries, as well as 190 Meisterlieder with 1763 stanzas by authors known by name, some of them in autographs (as the Hans-Sachs-manuscript Berlin, SBB-PK, mgq 414). As in the former project, the anonymous Meisterlieder in the three mentioned „Töne“ will be edited in printed and in digital form, the latter through the database of the DFG-project ‚Lyrik des deutschen Mittelalters‘ (LDM). In combination with the dissertation project of Nils Hansen (Akademie der Wissenschaften Göttingen), all the anonymous Meisterlieder in „Töne“ attributed to Regenbogen will be accessible in modern editions, thereby offering a complete corpus of Meistergesang.