The Reconstruction of Narrative Theory ahd Philosophy of History by the structural Analysis of Holocaust's Memory and Testimonies

1. 我对大屠杀幸存者证词的分析表明，在大屠杀亲历者的精神创伤面前，通过叙述行为来宣泄的传统观念已经失效，黑格尔的和解、救赎和宽恕思想在历史上已不再可信。我澄清了汉娜·阿伦特关于记忆的政治哲学，尽管它的取向是后大屠杀，但仍然包含了一点黑格尔的欧洲中心主义，将灭绝的暴力从公共记忆空间中驱逐出去。我研究了克劳德·兰兹曼的大屠杀中的性别问题，这被玛丽安·赫希和里奥·斯皮策描述为俄耳甫斯创造的一个例子，我在其中标记了一些开放的点。受肖莎娜·费尔曼（Shoshana Felman）的《声音的回归》（The Return of The voice）和雅克·德里达（Jacques Derrida）近期作品的启发，我构想了历史记忆中的幽灵角色，莎士比亚的《哈姆雷特》（Hamlet）就是一个很好的例证。

1. My anaysis of the testimonies by the survivers of Holocaust made it clear that the traditional idea of catharsis through the act of narrating was invalidated in front of psychic trauma of the witnesses of Holocaust, and that hegelian ideas of reconciliation, redemption and forgiveness were no longer credible in history.2. I clarified that Hannah Arendt's political philosophy of memory, notwithstanding its post-holocauset orientation, still included a bit of hegelian eurocentrism, expelling the violence of extermination from the public space of memory.3. I examined the problematics of gender in Claude Lanzmann's Shoah which had been described as a case of Orpheus creation by Marianne Hirsch and Leo Spitzer and I marked some open points in it.4. Having been suggested by Shoshana Felman's The Return of the voice and Jacques Derrida's recent wtitings, I formulated the ghostly character of historical memory whose good illustration was Shakespeare's Hamlet.