Flaubert and Modern Cultures

2003年，我研究了福楼拜对20世纪世纪西方和日本文化的影响。当歌舞伎于1867年上演时，法国文坛在现实主义的影响下，为《花道》和《摩瓦里布泰》叫好。法国观众只熟悉典型的古典戏剧，这为社会上目睹的暴力和谋杀提供了分心歌舞伎一定是一种新颖的作品。可能福楼拜是一个戏剧爱好者，喜欢看日本戏剧，比如1879年在盖特剧院演出的根据《中神乐》改编的《大和》。福楼拜对“沉默”的使用与歌舞伎的技巧“三重”相似。给观众留下深刻印象的是歌舞伎演员的“沉默”，他们的面部表情和手势都很柔和，但却很有暗示性。重要的是，福楼拜创作戏剧的时期正好是日本主义吸引巴黎的时期。

In 2003,I studied Flaubert's influence on the 20th century's Western and Japanese Cultures. When Kabuki was performed in 1867,the French literary world, under the influence of realism, applauded "Hanamichi' and "Mawaributai". The French audience were only familiar with typical classical dramas, which provided a distraction from the violence and murders witnessed in society Kabuki must have been a novel production. It is possible that Flaubert, a lover of theaters, enjoyed watching Japanese plays, such as "Yamato", which was based on "Chusingura" and performed at Gaite Theater in 1879. Flaubert's use of "silence" is similar to Kabuki's technique, "Mie". What impressed the audience was the "Silence" of the Kabuki actors whose facial expressions and gestures were subdued but suggestive. Importantly, the period when Flaubert was writing plays coincides with the period when Japonism fascinated Paris.