A historical Investigation on the Representation of "Preservation of Tradition" and the Transformation of regional Culture in Japanese Folksong Culture
A historical Investigation on the Representation of "Preservation of Tradition" and the Transformation of regional Culture in Japanese Folksong Culture
批准号:
16602002
负责人:
WATANABE Hiroshi
金额:
$2.46万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2004
资助国家:
日本
项目状态:
已结题
起止时间:
2004 至 2007
中文摘要
本研究的目的是要澄清如何“传统”及其与地域文化的关系是关于“保存”的传统表演艺术,特别是在日本的“民歌”领域的表现。最初我打算从地方的角度,用听觉采访和地方文献调查的方法来揭示它们。但意识到一些因素的重要性(记录媒体,旅游业,文化运动等)。作为这些表征形成过程中的中介者,我引入了新的历史分析方法来分析这种形成的过程和机制以及它们背后的动力。因此,笔者试图理解这些中介因素在明治以来日本音乐文化的各个阶段中所起的作用,并以此为参照,展开与日本民歌相关的一些论题的论证。首先,笔者揭示了昭和初期十年的“旅游热潮”所起的作用,通过这种作用,民歌被认为是“地域文化”,从明治时代起就被视为“民族文化”的文化。但与此同时,我也揭示了将民歌视为“民族文化”的观念甚至延续到了战后,并使民歌得以特殊的保存和传播,而不是我们所习惯的。我在这个项目上的成就将在今年某个时候作为一本独立的书出版,包括迄今为止未完成的手稿。
英文摘要
The aim of this study is to clarify how "tradition" and its relationship with regional culture is represented concerning the "preservation" of traditional performing arts, especially in the realm of "folksongs" of Japan. Initially I planned to reveal them from the viewpoint of locality using the method of aural interview and investigation of regional literature. But realizing the importance of some elements (recording media, tourist industry, cultural movements etc.) functioning as mediator in the formation process of these representations, I've introduced new method of historical analysis of the process and mechanism of this formation and the dynamics underlying them. Thus I've tried to comprehend the role played by these mediating elements in various phases of music culture of Japan since Meiji Era, and develop arguments on some topics concerning Japanese folksongs with reference to it. Above all, I've revealed the role played by the "travel-boom" in the first decade of Showa era, through which folksongs became considered as "regional culture", which had been considered as "national culture" since Meiji era. But at the same time, I've revealed that the notion that considers folksong as "national culture" survived even into the postwar era and enabled peculiar kind of preservation and transmission of folksongs, as opposed to the ones we've accustomed to. My accomplishments of this project will be published as an independent book sometime this year, including so far unfinished manuscripts.
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ベートヴェンのもう一つの顔
贝多芬的另一张脸
DOI:
--
发表时间:
2007
期刊:
ピアノはなぜピアノになったのか(単行本、大阪大学出版会刊)
影响因子:
--
作者:
[WATANABE, Hiroshi, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕]
通讯作者:
渡辺 裕
モーツァルトを育むのは誰?
谁培养了莫扎特?
DOI:
--
发表时间:
2006
期刊:
アステイオン 65
影响因子:
--
作者:
[WATANABE, Hiroshi, 渡辺 裕]
通讯作者:
渡辺 裕
The "Sono Sheet" reconsidered : A Cultural Resources Studies Approach
重新思考“索诺表”:文化资源研究方法
DOI:
--
发表时间:
2005
期刊:
Cultural Resources Studies vol. 3
影响因子:
--
作者:
[WATANABE, Hiroshi]
通讯作者:
Hiroshi
「民謡の旅」の誕生-松川二郎にみる昭和初期の「民謡」表象
“民歌之旅”的诞生——松川二郎眼中的昭和初期“民歌”再现
DOI:
--
发表时间:
2007
期刊:
美学芸術学研究(東京大学美学芸術学研究室紀要) 25(印刷中)
影响因子:
--
作者:
[WATANABE, Hiroshi, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕]
通讯作者:
渡辺 裕
「日本民族舞踊シリーズ」の時代-民俗芸能の「洋風化」をめぐる文化史-
《日本民间舞蹈系列》的时代——围绕民间表演艺术“西化”的文化史——
DOI:
--
发表时间:
2004
期刊:
展覧会図録『夢みるタカラヅカ展』(サントリーミュージアム[天保山])
影响因子:
--
作者:
[WATANABE, Hiroshi, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕, 渡辺 裕]
通讯作者:
渡辺 裕
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