Technology and perception in the German philosophical tradition

本研究旨在将本雅明的技术与人类感知关系的背景与其神学思想的背景联系起来，从而揭示其思想的总体特征。可以假设，技术和感知的转变，正如本雅明的文章“技术复制时代的艺术作品”中所描述的那样-特别是碎片的重建和对这些马赛克图像的识别，这也是当代超文本理论所讨论的-，与其神学模式中的救赎阶段是重叠的，应从一种非历史的时间观来理解。

This research aims to connect the context of the relation between technology and human perception in Walter Benjamin to the context of his theological thought, and thus to shed some light on the characteristics of his thought in general. It can be assumed that technology and transformation of perception, as are thematized in Benjamin's essay "The Work of Art in the Age of its Technological Reproducibility" - and especially reconstruction of fragments and recognition of these mosaic images which are also discussed in the contemporary hypertext theories -, are overlapped with the stage of redemption in his theological model which should be understood from the perspective of an ahistorical concept of time.