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Comprehensive Research of Fictional Paintings made by the Caracter Elstir in Proust's Work

普鲁斯特作品中人物埃尔斯蒂尔的虚构绘画综合研究

基本信息

批准号：
12610525
负责人：
YOSHIKAWA Kazuyoshi
金额：
$ 2.3万
依托单位：
Tokyo Metropolitan University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610525/
关键词：
Proust Paintings Elstir

项目摘要

This research conducted during the years 2000 and 200 1 examined the fictional paintings of the character Elstir in Proust's work, A la Recherche du temps perdu. The aim of the research was to determine, through factual and comprehensive data, how these paintings came into existence. The research consisted of the following:1. An exhaustive collection of information was gathered regarding Elstir and the paintings appearing in Proust's work and letters.2. At the same time, investigation and research was made of specialized books and art magazines related to paintings from the end of the nineteenth century to the beginning of the twentieth century, of the state of private collections, and of exhibition catalogs.3. Through continued research of the author's unpublished drafts found in institutions such as the Bibliotheque nationale de France, an effort was made to determine the process by which the fictional paintings of Elstir became established in the novel.4. By comparing the documents … More of the above 1, 2, and 3, specification was made of when, and by what occasion the aulhor came into contact with paintings that became models for Elstir's paintings. As a result, it has become evident that even in the case of portraits such as "Miss Sacripant," or a scenic painting of the sea such as "Carquethuit Port," actual models such as Manet, Whistler, and Turner existed, and that a montage was made from several different actual paintings. The scenes not only resemble original paintings, but are also often based on reference works and prints recorded in collection catalogs.5. The above circumstances surrounding the author's creations were made known in a thesis that included the items of the research presentation, ard through a lecture at the Proust Symposium held in France. However, regarding Proust's style of describing these fictitious paintings, it has become clear that the issue of the evolution of metaphor arises. This could not be incorporated into the overall conclusion, and will be a subject for further study. Less

这项研究于2000年和2001年进行，研究了普鲁斯特作品《A la Recherche du temps perdu》中埃尔斯蒂尔角色的虚构画作。研究的目的是通过事实和全面的数据来确定这些绘画是如何存在的。研究内容包括：1.一个详尽的信息收集收集有关埃尔斯蒂尔和绘画出现在普鲁斯特的工作和信件。同时，对19世纪末至20世纪初与绘画有关的专门书籍、美术杂志、私人收藏状况、展览目录等进行了调查研究。通过继续研究作者在法国国家图书馆等机构中发现的未发表的草稿，人们努力确定埃尔斯蒂尔的虚构绘画在小说中确立的过程。通过对比这些文件 ...更多信息上述1，2和3，规格是由什么时候，什么场合的奥勒接触到的绘画，成为埃尔斯特的绘画模型。因此，很明显，即使在肖像画如“圣衣小姐”或海洋风景画如“Carquethuit Port”的情况下，也存在马奈，惠斯勒和特纳等实际模型，并且蒙太奇是由几幅不同的实际绘画制成的。这些场景不仅类似于原始绘画，而且往往基于收藏目录中记录的参考作品和印刷品。围绕作者创作的上述情况在一篇论文中被告知，其中包括研究报告的项目，以及在法国举行的普鲁斯特研讨会上的演讲。然而，关于普鲁斯特描述这些虚构绘画的风格，很明显，隐喻的演变问题出现了。这一点无法纳入总体结论，将作为进一步研究的主题。少