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Comprehensive Research of Representation and style on Proust and Paintings

普鲁斯特与绘画表现与风格综合研究

基本信息

批准号：
14510571
负责人：
YOSHIKAWA Kazuyoshi
金额：
$ 2.05万
依托单位：
Tokyo Metropolitan University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510571/
关键词：
Proust Paintings representation style エルスチール

项目摘要

The objective of my research, conducted during the years 2002 and 2003, was toadvance study in the descriptions (representation and style) of paintings appearing in A la Recherche du temps perdu.1). Documents and research pertaining to Proust and paintings were reexamined. Efforts were made to supplement information on the fictional artist Elstir and to gather documents regarding paintings of Proust's era. 2). In addition to the careful examination of information on paintings in thelibrary of the Musee d'Orsay, reexamination of Proust's drafts preserved at the Bibliotheque nationale de France was undertaken. In particular, I gained access to microfilm at the Bibliotheque nationale de France, and I purchased microfilm on the most pertinent 75 notebooks of rough drafts and 20 notebooks offinal drafts. Significant progress was made in investigative research on theauthor's method of representing paintings in his work. 3). Natalie Mauriac (CNRS), an expert specializing in Proust's drafts, was invited to Japan, where she gave advice on these documents and on the subject of Proust and paintings. We had the opportunity to conduct joint research on this theme. 4). From the above investigative research, paintings appearing in A la Recherche du temps perdu were examined to make clear differences between actual paintings (by Carpaccio, Vermeer, etc.) and the descriptions of fictional paintings (Elstir's "Miss Sacripant" and "Carquethuit Port," etc.) appearing in the novel. 5). The fictional paintings and descriptions of nature in the work were studied to determine the role naturalism plays in representation of paintings. 6). The results of this research were utilized in the writing of forty-three items in Dictionnaire Proust (Champion, 2004), published in France.

我在2002年和2003年进行的研究的目的是推进对《临时收藏家》中出现的绘画的描述(表现和风格)的研究。重新审查了与普鲁斯特和绘画有关的文件和研究。努力补充关于虚构艺术家埃尔斯蒂尔的信息，并收集有关普鲁斯特时代绘画的文件。2)。除了仔细检查奥赛博物馆图书馆的绘画资料外，还对保存在法国国家图书馆的普鲁斯特草稿进行了重新检查。特别是，我在法国国家图书馆获得了缩微胶片，我购买了最相关的75本初稿笔记本和20本初稿笔记本的缩微胶片。关于作者在作品中表现绘画的方法的调查研究取得了重大进展。3)。娜塔莉·莫里亚克(CNRS)，一位专门研究普鲁斯特草稿的专家，应邀前往日本，在那里她就这些文件以及普鲁斯特和绘画的主题提供了建议。我们有机会就这一主题进行联合研究。4)。通过上述调查研究，对出现在A la Recherche du Temps Perdu上的画作进行了检查，以明确与实际画作(Carpaccio、Vermeer等)的区别。以及对虚构绘画的描述(埃尔斯蒂尔的《Sacriant小姐》和《Carquethuit Port》等)。出现在小说中。5)。对作品中虚构的绘画和对自然的描述进行了研究，以确定自然主义在绘画表现中所起的作用。6)。这项研究的结果被用于撰写法国出版的《普鲁斯特词典》(Champion，2004)中的43个条目。