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A History of Performances of Greek and Roman Dramas

希腊罗马戏剧表演史

基本信息

批准号：
14510646
负责人：
KIMURA Kenji
金额：
$ 1.28万
依托单位：
Osaka University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

项目摘要

German Classical studies, which tended to esteem Greek culture mote than Roman culture, directly influenced Japan in the Meiji Restoration and still its influence is very great. The influence of Germany had impact not only on classical studies in Japan, but also on the system of the universities in the process of Japanese modernization. It is a very symbolic episode that classical studies in Japan was started by a German philosopher Raphael Koebel. Classical studies in Japan received a great influence from Germany before 1945.The translation of Greek and Roman dramas and their performance have been related with such a tendency in classical studies.There were some translations of Greek and Roma Drama before the end of World War II, but the publication of a goal translation based on scholarship was not made until after the end of World War II. Scholarship and publication of translations paved the way for performances, and there have been performances of Greek and Roman Drama since 1960. Among these, Greek Tragedy has been most to Japanese taste, and Roman Comedy most detested. Japanese prefer Greek Drama to Roman Drama, and tragedies to comedies.There are several reasons why such a tendency may be found.One of the reasons is derived firm the difference of gernre. A tragedy is mole universal than a comedy In another words, a comedy has lots of restrictions, and is very difficult to convey across ages and languages. This is true even through reading, even more When It is performed.The other reason is that Japanese prefer tragedies to comedies from then national character. Though we have Kyogen Drama which is almost equivalent to a comedy, most people prefer Noh Drama which is almost equivalent to a tragedy. This is derived from the Samurai aesthetics of the Edo period.

重古希腊文化轻古罗马文化的德国古典学直接影响了明治维新时期的日本，至今影响仍很大。德国的影响不仅对日本的古典学产生了影响，而且对日本近代化进程中的大学制度也产生了影响。德国哲学家拉斐尔·科贝尔（Raphael Koebel）在日本开创古典研究是一个非常具有象征意义的插曲。1945年以前的日本古典学受德国的影响很大，希腊罗马戏剧的翻译和演出与古典学的这种倾向有着密切的关系，二战结束前就出现了一些希腊罗马戏剧的译本，但以学术为基础的目标译本直到二战结束后才得以出版。学术和翻译的出版为表演铺平了道路，自1960年以来一直有希腊和罗马戏剧的表演。其中，希腊悲剧最受日本人喜爱，而罗马喜剧最令人厌恶。日本人喜欢希腊戏剧而不喜欢罗马戏剧，喜欢悲剧而不喜欢喜剧。造成这种倾向的原因有几个，其中一个原因是由于两种戏剧的不同。悲剧比喜剧更具有普遍性，也就是说，喜剧有很多限制，很难跨时代、跨语言地传达。这是真的，即使通过阅读，更是当它被执行。另一个原因是，日本人喜欢悲剧，而不是喜剧，从当时的民族性格。虽然我们有几乎相当于喜剧的喜剧，但大多数人更喜欢几乎相当于悲剧的能剧。这是源自江户时代的武士美学。

项目成果

期刊论文数量（14）

专著数量（0）

科研奖励数量（0）

会议论文数量（0）

专利数量（0）

古代ローマ演劇とテレンティウス

古罗马戏剧和特伦修斯

DOI：
发表时间：
2002
期刊：
ローマ喜劇集 5
影响因子：
0
作者：
木村健治;木村健治;KIMURA Kenji;KIMURA Kenji;木村健治;KIMURA Kenji;木村健治;KIMURA Kenji;木村健治;木村健治
通讯作者：
木村健治

古典語教育の過去・現在・未来

古典语言教育的过去、现在和未来

DOI：
发表时间：
2003
期刊：
言文だより 20
影响因子：
0
作者：
木村健治;木村健治;KIMURA Kenji;KIMURA Kenji;木村健治;KIMURA Kenji;木村健治
通讯作者：
木村健治

Terence and the Roman Comedy

特伦斯与罗马喜剧

DOI：
发表时间：
2002
期刊：
Roman Comedies 5
影响因子：
0
作者：
木村健治;木村健治;KIMURA Kenji;KIMURA Kenji;木村健治;KIMURA Kenji;木村健治;KIMURA Kenji;木村健治;木村健治;KIMURA Kenji;KIMURA Kenji
通讯作者：
KIMURA Kenji

The Birth of 'Harrison Myth' and Thereafter

“哈里森神话”的诞生及此后