BASIC PROBLEM OF ARCHITECTURAL COLOUR PAINTING PATTERNS IN MEDIEVAL TEMPLE

宗教建筑的基本设计主要在于各构件及其各部分的比例。其次是建筑装饰的绘画和着色图案的重要性。从一开始，大殿和宝塔内部就被彩绘和着色，以表达周围世界的主要佛像，并装饰冬青夏丽。在下一阶段，在外面添加了着色装饰。彩色装饰先后在平安时代传播开来，先是在禅堂建筑，然后传到禅堂建筑的正殿。而且在装饰上，南塔和密友派的宝塔也有所不同。在中世纪，出现了几何着色图案，并开始流行起来。本研究的结果如下：1。传统彩绘有两种。一种是墙画，另一种是建筑构件画，如画在柱子上、Nageshi、Kashiranuki、Mume等。首先是彩绘，然后在天花板上做了更多的装饰来装饰腾艾。图案以罗塞塔等蔬菜为主，用云根法着色。渐渐地，动物图案画被画在大型建筑构件上。在平安时代，在墙的背面主佛像他们写了锦绣世界的阿弥陀佛。在引进弥游派后，在柱子上画佛像，并在柱子周围上下添加几何色彩图案。在这个教派中，宝塔是第一个重要的建筑，表达了整个大日派的世界，因此内部空间得到了高度的装饰。几何着色图案出现在镰仓时期。4 .随着连接模式的使用，后改为“植物-卡拉库萨”模式和“聚台门”模式。镰仓时期出现了金兰玛基模式。在奈良时代，人们已经认识到装饰柱子上部的图案，但对图案的细节并不了解。随着时间的推移，金兰马基变成了一个复杂的装饰。植物-karakusa模式也会变成noshimon。在桃山时代，建筑构件的所有表面都充满了各种传统的色彩图案。构件的大部分都涂上了装饰性的颜色。但是建筑的外面没有颜色。据信，禅宗的正殿通常是没有颜色的。但内部是用贝尼加拉色彩装饰的，此外还有一些主要大厅用彩绘装饰。众所周知，禅宗三门的上层空间都装饰着GOKUSAISHIKI。少

Basic design of religious architecture lies mainly on proportion of each member and its each part. Next comes the importance of architectural decoration of painting and coloring patterns. From the beginning main hall and pagoda were painted and colored inside to express the surrounding world of the main buddha image and to decorate the holly SHARI.In the next stage coloring decoration was added to the outside. Successively, coloring decoration was spread in the Heian period, in the Jyohdo-kyou architecture and then to the main hall of Mikkyou architecture. And there is a difference between the pagoda of Nantorokushuu and that of Mikkyou sect in decoration. In the middle age, there appeared geometiric coloring patterns and it went in fashion.The result made in this study are as followes :1. There are two types of traditional color painting. One is wall-painting, the other is architectural member painting such as painted on column, Nageshi, Kashiranuki, Mume, and so on.2. At first colori … More ng decoration was made for the ceiling to decorate Tengai. The pattern is mainly of vegetable such as rosetta colored in Ungen method. Gradually, animal pattern painting was put on large architectural member. In the Heian period, the wall at the back of the main buddha image they wrote the splendid world of AMIDA-JYOHDO.3. After having introduced Mikkyou sect, buddha image painting was made on column and around them geomeric coloring patterns were added up and down. In this sect pagoda was the first important architecture to express the whole world of DAINICHI-NYORAI so that inner space was highly decorated.4. The geomeric coloring patterns were appeared in the Kamakura period. Hossouge-karakusa pattern changed into Botan-karakusa pattern and Jyoutai-mon as connction pattern was used afterwards.5. Kinranmaki pattern was appeared in the Kamakura period. The pattern to decorate the upper part of column was recognized in the Nara period, but the pattern was not known in detail. The time goes on, Kinranmaki changes into complicated and decorative one. Botan-karakusa pattern also changes into Noshimon.6. In the momoyama period all the surface of the architectural members were fulfillled with every traditional pattern with coloring. The greater part of the member was covered with decorative coloring. But the outside of architecture was not colored.7. It is believed that the main hall in the Zen-sect is usually not colored. But the inner part is decorated with Benigara-coloring, moreover there are some main halls with color painting. It is well known that the upper space of Sanmon in the Zen sect was highly decorated with GOKUSAISHIKI. Less