The interactionbetween chanson and literature from the second half of the 19th century to the beginning of the 20th century in France

我们可以列出以下三点作为我们的主要成就。首先，我们可以发现和收集各种有价值的文献和文献，包括原始香颂的记录和一些带有音符和插图的歌曲文本。其次，通过对这些来源的分析，我们可以研究几位词曲作者和法国文学歌曲作者的真实面貌，他们经常去蒙马特的《黑色聊天》这样的艺术歌厅创作和朗诵他们的作品给顾客听。再次，对他们的政治讽刺作品的一些特点进行了梳理，这些特点到目前为止还没有得到认真的研究。通过以上成果，我们厘清了一些日本人还不知道的《咖啡馆-音乐会》著名歌手在舞台上的独特表演的真实面貌。

We can list the following three points as our major achievements. First of all, we could discover and collect various valuable literature and documents including records of original chansons and some text of songs with musical note and illustration of the “Belle Epoque” era. Secondly, through analyzing these sources, we could study the real aspect of several songwriters and authors of French literary songs who often went to artistic cabarets like “Chat Noir” of Montmartre to create and recite their works to the customers. Thirdly, we clarified some characteristics of their political and satirical works which have not been studied carefully until now. With all of the above achievements, we clarified the real aspect of peculiar performance on the stage of some famous singers of “Cafe-Concert” that is yet unknown to Japanese.